SAMUEL VAN HOOGSTRATEN (DORDRECHT 1627-1678)
SAMUEL VAN HOOGSTRATEN (DORDRECHT 1627-1678)
SAMUEL VAN HOOGSTRATEN (DORDRECHT 1627-1678)
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SAMUEL VAN HOOGSTRATEN (DORDRECHT 1627-1678)

Portrait of Thomas Godfrey of Burton Aleph (d. 1690), three-quarter-length, seated, in a black coat with slashed sleeves and red ribbons, with a dog at his side

Details
SAMUEL VAN HOOGSTRATEN (DORDRECHT 1627-1678)
Portrait of Thomas Godfrey of Burton Aleph (d. 1690), three-quarter-length, seated, in a black coat with slashed sleeves and red ribbons, with a dog at his side
signed with initials and dated 'S.v.H. 1663.' (lower right)
oil on canvas
41 ¾ x 31 ¼ in. (106.1 x 79.3 cm.)
inscribed 'POST SPINAS PALMA / T G / 1663.' (upper left, with the arms of the Godfrey and Toke families)
Provenance
By descent in the sitter's family to,
Sir Bryan Godfrey-Faussett (1863-1945), Ranger's Lodge, and thence by descent; Christie's, London, 17 November 1989, lot 44, where acquired by the uncle of the present owner.
Literature
Illustrated London News, 1 January 1938.
H. Gerson, Ausbreitung und Nachwirkung der holländischen Malerei des 17. Jahrhunderts, Amsterdam, 1983, p. 397.
W. Sumowski, Gemälde der Rembrandt-Schüler, II, Landau/Pfalz, 1983, pp. 1299 and 1346, no. 863, illustrated.
E.K. Waterhouse, The Dictionary of 16th and 17th Century British Artists, Woodbridge, 1988, p. 131, illustrated.
M. Roscam Abbing, De schilder en schrijver Samuel van Hoogstraten 1627-1678: Eigentijdse bronnen en oeuvre van gesigneerde schilderijen, Leiden, 1993, p. 126, no. 26.
C. Brusati, Artifice and Illusion: The Art and Writing of Samuel van Hoogstraten, Chicago and London, 1995, p. 335, no. 19, fig. 61, and p. 350, no. 19.
Exhibited
London, Royal Academy, Exhibition of 17th Century Art in Europe, 1907.
London, Royal Academy, Exhibition of 17th Century Art in Europe, 3 January-12 March 1938, no. 203, lent by Captain Sir Bryan Godfrey-Faussett.

Brought to you by

Lucy Speelman
Lucy Speelman Junior Specialist, Head of Part II

Lot Essay


At the age of 35, in May 1662, Samuel van Hoogstraten and his wife Sara Balen left their hometown of Dordrecht for England, probably in the hope of patronage from Charles II (1630-1685), settling there until 1667. The artist initially sold his celebrated trompe l’oeils to his newfound British patrons, but soon diverted his focus to architectural scenes and adopting the style of aristocratic portraiture popularised by Peter Lely and Anthony van Dyck. The year after he relocated, van Hoogstraten painted this portrait of Thomas Godfrey of Burton Aleph, son of Peter Godfrey and Sara, daughter of Sir Peter Heyman. In 1663 Thomas married Mary, widow of Sir Robert Moyle of Buckwell, and daughter of Nicholas Toke of Godinton.

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