KARL MEDIZ (GERMAN, 1868-1944)
KARL MEDIZ (GERMAN, 1868-1944)
KARL MEDIZ (GERMAN, 1868-1944)
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THE COLLECTION OF SAM JOSEFOWITZ: A LIFETIME OF DISCOVERY AND SCHOLARSHIP
KARL MEDIZ (GERMAN, 1868-1944)

Das Frauenbad am Felsentor

Details
KARL MEDIZ (GERMAN, 1868-1944)
Das Frauenbad am Felsentor
oil on canvas
60 3⁄8 x 61 ¼ in. (153.4 x 155.5 cm.)
Painted in Lacroma, 1902.
Provenance
The artist's estate.
Ellen Melas Kyriazi Collection, and by descent to the family of
Sam Josefowitz, and by descent to the present owners.
Literature
L. Hevesi, Zeitschrift für bilende Kunst, Leipzig, 1903, pp. 207-214.
R. Bruck, Ausstellungkatalog: Karl Mediz, Dresden, 1904.
Exhibited
Vienna, Lower Belvedere, Hagenbund, 1903.
Dresden, Emile Pelikan-Karl Mediz, Gemälde und Zeichnungen, 18 September - 23 October 1943, no. 1 (ex. cat. pp. 5,16, illustrated).
Vienna and Linz, University of Applied Arts and Upper Austrian State Museum, Emile Mediz-Pelikan 1861-1908, Karl Mediz 1868-1945, April 24 - May 25, 1986 and April 23 - June 22, 1986, no. 91. (ex. cat. p. 183).

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Alastair Plumb
Alastair Plumb Specialist, Head of Sale, European Art

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Lot Essay

Karl Mediz was discovered by Friedrich von Amerling (1803-1887). After a formal education at the Academy of Fine Arts, Vienna and the Académie Julien, Paris, he went on to develop his landscape views in a Symbolist style. He favoured painting on a large scale, exhibiting his first large-scale work at the Kunstausstellung in 1899, where his work was compared to Giotto’s frescos.

Mediz painted the present work only three years later, depicting the Women’s Pool at Felsentor, Germany. The distinctive red sandstone rock formations are depicted with a kaleidoscopic pattern of lines creating patterns between the gradations of red tones. The cloud formations and the receding arches in the rock pull the viewer in towards the water, there the calm figure floats, arms outstretched - in parallel with the horizon line.

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