GIOVANNI BATTISTA TIEPOLO (VENICE 1696-1770 MADRID)
GIOVANNI BATTISTA TIEPOLO (VENICE 1696-1770 MADRID)
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Property of a Private East Coast Collector
GIOVANNI BATTISTA TIEPOLO (VENICE 1696-1770 MADRID)

A satyr seated on a cloud seen from below

Details
GIOVANNI BATTISTA TIEPOLO (VENICE 1696-1770 MADRID)
A satyr seated on a cloud seen from below
with number ‘33’ (lower left)
pen and brown ink, brown wash
10 ¾ x 7 ½ in. (27.3 x 19 cm)
Provenance
Probably given by the artist or his son Giovanni Domenico Tiepolo (1727-1804) to
Somaschi convent at Santa Maria della Salute, Venice.
Count Leopoldo Cicognara (1767-1834), Venice.
Antonio Canova (1757-1822), Venice; by his descent to his half-brother,
Monsignor Giovanni Battista Sartori Canova (1775-1858), Venice.
Francesco Pesaro (1740-1799), Venice; sold by him in 1842 to
Edward Cheney (1803-1884), Badger Hall, Shropshire; by descent to his brother-in-law
Colonel Alfred Capel-Cure (1826-1896), Blake Hall, Essex.
probably Sotheby’s, London, 29 April 1885, part of lot 1024.
with E. Parsons and Sons, London.
The Estate of Howard and Eleanor Sachs, New York.

Brought to you by

Giada Damen, Ph.D.
Giada Damen, Ph.D. AVP, Specialist, Head of Sale

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Lot Essay

According to a handwritten note on the back of the frame, the drawing was purchased from the London dealers E. Parsons and Sons. Between the end of the 19th Century and the first decades of the 20th Century, the London firm had acquired at auction several albums of drawings by Tiepolo which had belonged to Edward Cheney (1803-1884). Parsons appears to have been the buyer of a lot containing nine albums of Tiepolo’s drawings in the sale of Cheney’s collection in 1885 (Sotheby’s, London, 29 April 1885, lot 1024), but to have also acquired three other albums with the artist’s drawings several years later in 1914 (Christie’s, London, 14 July 1914, lot 49). Some of the albums were sold intact while others were broken up and the drawings sold separately to many collectors over the years (G. Knox, Catalogue of the Tiepolo Drawings in the Victoria and Albert Museum, London, 1960, pp. 3-9).

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