JASPER JOHNS (B. 1930)
JASPER JOHNS (B. 1930)
JASPER JOHNS (B. 1930)
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WORKS FROM THE COLLECTION OF BROOKE AND CAROLYN ALEXANDER
JASPER JOHNS (B. 1930)

Summer

Details
JASPER JOHNS (B. 1930)
Summer
etching and aquatint, on T. Edmunds paper, 1989, signed and dated in pencil, dedicated 'For Brooke & Carolyn / Affection, / Jasper, / Dec. 1989' in pencil, numbered 'HC 15⁄16' (an hors-commerce impression, there was no edition), published by Universal Limited Art Editions, West Islip, New York, with their blindstamp, with full margins, in very good condition, framed
Image: 19 1⁄8 x 12 ½ in. (486 x 318 mm.)
Sheet: 22 5⁄8 x 15 ¼ in. (575 x 387 mm.)
Provenance
The artist.
Acquired from the above by the present owner.
Literature
Universal Limited Art Editions S62

Brought to you by

Emma Santucci
Emma Santucci Junior Specialist

Lot Essay

"The initial idea for Summer evolved from a work directly tied to specific circumstances of the artist's life, to a series dealing simultaneously with the broader theme of the human condition. The specific images on this fictional canvas - the Mona Lisa, Two Flags, the George Ohr pottery, and the demon from Grunewald's Isenheim Altarpiece (disguised in the background of puzzle-shaped stripes) are taken from painting that immediately precede The Seasons: Racing Thoughts and Ventriloquist. These works for the early 1980s were among the first to reveal more illusionistic and openly self-revealing imagery characteristic of Johns's art of the last decade.

Publication excerpt from Jasper John's The Seasons: Records of Time by Roberta Bernstein, in Jasper Johns: The Seasons, pp. 10-11.

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