AN ATTIC RED-FIGURED CHOUS
AN ATTIC RED-FIGURED CHOUS
AN ATTIC RED-FIGURED CHOUS
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AN ATTIC RED-FIGURED CHOUS

ATTRIBUTED TO THE PAINTER OF FLORENCE 4021, CIRCA 470-460 B.C.

Details
AN ATTIC RED-FIGURED CHOUS
ATTRIBUTED TO THE PAINTER OF FLORENCE 4021, CIRCA 470-460 B.C.
8 ¾ in. (22.2 cm.) high
Provenance
Herbert Cahn (1915-2002), Basel, acquired by 1959 (Inv. no. HC9); thence by descent.
Kunstwerke der Antike, Auktion 3, Jean-David Cahn, Basel, 18 October 2002, lot 33.
Dr. Manfred Zimmermann (1935-2011), Bremen, Germany, acquired from the above; thence by descent to the current owner.
Literature
H. Sichtermann, "Zeus und Ganymed in frühklassischer Zeit," Antike Kunst, vol. 2, pt. 1, 1959, p. 14, pl. 11.
K. Schefold, Meisterwerke griechischer Kunst, Basel, 1960, pp. 198, 207, no. 216.
J.D. Beazley, Attic Red-Figure Vase-Painters, second edition, vol. 2, Oxford, 1963, p. 874, no. 3.
H. Bloesch, et al., Das Tier in der Antike, Zurich, 1974, pl. 42.249.
K.J. Dover, Greek Homosexuality, Cambridge, 1978, pp. 71, 79, 93, no. R829.
S. Kaempf-Dimitriadou, Die Liebe der Götter in der attischen Kunst des 5. Jahrhunderts v. Chr., Bern, 1979, p. 7, pl. 2.2, no. 31.
K. Schefold, Die Göttersage in der klassischen und hellenistischen Kunst, Munich, 1981, p. 213, fig. 294.
H. Sichtermann, “Ganymedes,” Lexicon Iconographicum Mythologiae Classicae, vol. IV, Zurich and Munich, 1988, pt. 1, p. 157, no. 41; pt. 2, p. 79, no. 41.
L. Burn and R. Glynn, Beazley Addenda, Oxford, 1982, p. 147, no. 874.3.
J. Boardman, Athenian Red Figure Vases: The Classical Period, London, 1989, p. 38, fig. 77.
T.H. Carpenter, et. al., Beazley Addenda, second edition, Oxford, 1989, p. 300, no. 874.3.
P. Senay, " L'Iconographie de saint Jean: Un Ganymède chrétien?" Cahiers des Etudes Anciennes, vol. 35, 1999, pp. 82-83, fig. 2.
F. Hildebrandt, Antike Bilderwelten: Was griechische Vasen erzählen, Darmstadt, 2017, pp. 48-49, fig. 43; p. 147, no. 45.
Beazley Archive Pottery Database no. 211529.
Corpus of Attic Vase Inscriptions no. 2047.
Digital LIMC Database no. 28219.
Exhibited
Basel, Kunsthalle, Meisterwerke griechischer Kunst, 18 June-13 September 1960.
Universität Zürich, Archäologisches Institut, Das Tier in der Antike, 21 September-17 November 1974.
Bremen, Antikenmuseum im Schnoor, 2005-2018.
Hamburg, Museum für Kunst und Gewerbe, 2018-2023.

Brought to you by

Hannah Fox Solomon
Hannah Fox Solomon Head of Department, Specialist

Lot Essay

This well-published chous depicts Zeus pursuing Ganymede. The god is portrayed wearing a diadem and a chlamys draped across his back and over his left arm, striding left, grasping Ganymede’s left arm with both his hands. Behind him is a staff with a lotus finial. Ganymede is shown with his luxuriant, curly hair secured with a fillet, looking down, with his right arm raised. A chlamys is draped across his back and over his left shoulder. His left leg is outstretched and his right knee bent, as if recoiling from the god’s advance. To the left is a cockerel, a love-gift from the god. An identifying inscription is present above each figure.

As J. Gaunt explains (p. 290 in J.M. Padgett, ed., The Berlin Painter and His World), there are incongruences in Greek literature as it concerns Ganymede’s genealogy and the means of his abduction. Whereas the Iliad describes the youth as the most beautiful of mortal men who was taken to Mount Olympus by the gods to be Zeus’ cup bearer, the Hymn to Aphrodite explains how it was Zeus himself who abducted Ganymede. The most well-known account tells how Zeus descended from the heavens in the form of an eagle, forcibly carrying Ganymede back to Mount Olympus. Ganymede is variously described as the son of Dardanos or of Dardanos’s grandson Tros, the founder of Troy.

As Gaunt notes (op. cit.) the subject of Zeus and Ganymede was popular on Attic vases during the first half of the 5th century. These years were the decades of Athenian conflict with Persia, and the “successful abduction of a Trojan prince by the king of the Greek pantheon may have stuck a chord, providing an apt metaphor for Greek victories in the Persian War.”

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