ATTRIBUTED TO THE MARLAY PAINTER, CIRCA 450-440 B.C.

Details

AN ATTIC RED-FIGURED KYLIX
ATTRIBUTED TO THE MARLAY PAINTER, CIRCA 450-440 B.C.
9 1/8 in. (23.1 cm.) diameter, excluding handles

Provenance

with Holger Termer, Hamburg.
Dr. Manfred Zimmermann (1935-2011), Bremen, Germany, acquired from the above, 1984; thence by descent to the current owner.

Literature

W. Hornbostel, Aus der Glanzzeit Athens: Meisterwerke griechischer Vasenkunst in Privatbestiz, Hamburg, 1986, pp. 136-137, no. 67.
M. Steinhart, Töpferkunst und Meisterzeichnung: Attische Wein- und Ölgefässe aus der Sammlung Zimmermann, Mainz, 1996, p. 168.
F. Hildebrandt, Antike Bilderwelten: Was griechische Vasen erzählen, Darmstadt, 2017, pp. 101-102, fig. 98; p. 147, no. 39.
Beazley Archive Pottery Database no. 16057.

Exhibited

Hamburg, BATIG Foyer Esplanade; Kiel, Landesbank Schleswig-Holstein Girozentrale; Bremen, Übersee-Museum, Aus der Glanzzeit Athens: Meisterwerke griechischer Vasenkunst in Privatbesitz, 29 May 1986-18 January 1987.
Bremen, Antikenmuseum im Schnoor, 2005-2018.

Conditions of sale

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Lot Essay

This lively cup depicts three identical scenes of a horse and rider in profile, including on the tondo and both sides of the exterior. Each features a warrior wearing a chlamys, high-laced boots and a petasos hanging from a cord at his back, and holding two spears. Each horse is muscular and shown in motion, with its tail raised.

The Marlay Painter takes his name from the former owner of a calyx-krater now in the Fitzwilliam Museum. He was chiefly a painter of cups, often depicting symposia scenes. As Hornbostel hypothesizes, perhaps the Marlay Painter was inspired to compose scenes of horses and riders based upon the Parthenon frieze, constructed 447-438 B.C., contemporaneous with this vase.

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