A SILK BROCADE ROBE
A SILK BROCADE ROBE
A SILK BROCADE ROBE
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PROPERTY FROM A PRIVATE ENGLISH COLLECTION
A SILK BROCADE ROBE

LATE SAFAVID OR ZAND IRAN, 18TH CENTURY

Details
A SILK BROCADE ROBE
LATE SAFAVID OR ZAND IRAN, 18TH CENTURY
The blue ground decorated with rows of alternating orange and white floral sprays, gold edging and a repeated design of alternating cockerels and flowers, buttons retained but some button loops lacking, mounted to a cream fabric ground on a stretcher and behind clear acrylic
39 ¾in. (100.9cm.) long
Provenance
Acquired from Ferro Ettehadieh, New York, 1983
Further details
Some countries prohibit or restrict the purchase and/or import of Iranian-origin property. Bidders must familiarise themselves with any laws or shipping restrictions that apply to them before bidding on these lots. For example, the USA prohibits dealings in and import of Iranian-origin “works of conventional craftsmanship” (such as carpets, textiles, decorative objects, and scientific instruments) without an appropriate licence. Christie’s has a general OFAC licence which, subject to compliance with certain conditions, would enable a buyer to import this type of lot into the USA. If you intend to use Christie’s licence, please contact us for further information before you bid.

Brought to you by

Sara Plumbly
Sara Plumbly Director, Head of Department

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Lot Essay


Garments fashioned from luxurious silk brocades were the epitome of Safavid style. The bright colours and use of gold in Safavid fashion was something repeatedly remarked upon by European visitors to Safavid Iran in the 17th and 18th centuries (Carol Bier (ed.), Woven from the Soul, Spun from the Heart: Textile Arts of Safavid and Qajar Iran 16th-19th centuries, Washington D.C., 1987, p214). In the later Safavid and Qajar periods garments for both men and women tended towards a more tailored fit with a cinched waist, curved hips and pointed cuffs similar to the style of the present robe.

A silk brocade robe attributed to the 18th century with a similarly dense floral design is in the Metropolitan Museum of Art, New York (acc. no C.I.40.196). Another two closely comparable robes dated to the 17th or 18th century are in The Textile Museum, Washington D.C. (inv.no.3.94 and inv.no. 1985.5.1) and two further very closely related robes dated to the late 18th or early 19th century are in the Musée des Tissus et des Arts décoratifs de Lyon (MT 31515 and MT 31516; Gwenaëlle Fellinger and Carol Guillaume, L’Empire des roses: chefs-d’oeuvre de l’art persan du XIXe siècle, Gand & Lens, 2018, cat. 339 and 340, pp.350-51).

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