ATTRIBUTED TO AERT VAN DER NEER (AMSTERDAM C. 1603–1677)
ATTRIBUTED TO AERT VAN DER NEER (AMSTERDAM C. 1603–1677)
ATTRIBUTED TO AERT VAN DER NEER (AMSTERDAM C. 1603–1677)
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PROPERTY FROM A PRIVATE COLLECTION - SELLING WITHOUT RESERVE
ATTRIBUTED TO AERT VAN DER NEER (AMSTERDAM C. 1603–1677)

A winter landscape with kolf players on a frozen lake by a village

Details
ATTRIBUTED TO AERT VAN DER NEER (AMSTERDAM C. 1603–1677)
A winter landscape with kolf players on a frozen lake by a village
with monogram 'AVDN' ('AV' and 'DN' linked, lower left)
oil on canvas
19 x 22 ¼ in. (48.3 x 56.5 cm.)
Provenance
H.G. Oosterdijk (1731-1795) and H. van Heuvel; Philippus van der Schley, Amsterdam, 8 October 1800, lot 65 (20 fl. to Coclers).
(Possibly) Lady Anne Danby Vernon Harcourt (1796-1879).
Jean-Baptiste Foucart (1823-1898), Valenciennes; his sale (†), de Brauwere, Gostieau, Lancial, Sueur, Valenciennes, 12 October 1898, lot 117 (2,000 FF).
Art market, London, by 1954.
Private Collection, Netherlands.
with J.R. Bier, Haarlem, by 1962.
with Brod Gallery, London, by 1965.
Private Collection, Bloemendaal.
Anonymous sale [Property of a European Private Collector]; Sotheby's, London, 19 April 1989, lot 36, as Aert van der Neer, where acquired by the present owner.
Literature
C. Hofstede de Groot, A Catalogue Raisonné of the works of the most eminent Dutch Painters of the Seventeenth Century, VII, London, 1923, p. 459, no. 565, as Aert van der Neer.
J.R. Bier, Advertisement, Burlington Magazine, CIV, 1962, p. v, illustrated, as Aert van der Neer.
Weltkunst, 15 February 1968, illustrated, as Aert van der Neer.
W. Schulz, Aert van der Neer, Doornspijk, 2002, pp. 184-5, no. 205, fig. 64, as Aert van der Neer.

Brought to you by

Lucy Speelman
Lucy Speelman Junior Specialist, Head of Part II

Lot Essay


While best known for his nocturne landscapes in the Dutch landscape tradition, Aert van der Neer also produced several winter scenes rooted in the Flemish tradition and the style of Hendrick Avercamp. These scenes are suffused with his characteristically cool tonality, in blues and grays that evoke the chill of winter.

Here, van der Neer highlights the centrality of the frozen river in Dutch daily life, both in work and play. A group of men play kolf, watching on as the figure in black tees up to take a stroke. On the right, a group of boys throw snowballs. Still other figures toil at moving goods across the ice, and the bustle extends far into the distance. Characteristic of van der Neer, gnarled tree trunks flanking the river create depth in the scene, and the precisely rendered rowboat in the foreground gives way to the atmospheric haze of the background.

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