JACOB PHILIPP HACKERT (PRENZLAU 1737-1807 SAN PIETRO DI CAREGGI)
JACOB PHILIPP HACKERT (PRENZLAU 1737-1807 SAN PIETRO DI CAREGGI)
JACOB PHILIPP HACKERT (PRENZLAU 1737-1807 SAN PIETRO DI CAREGGI)
1 More
JACOB PHILIPP HACKERT (PRENZLAU 1737-1807 SAN PIETRO DI CAREGGI)
4 More
PROPERTY OF A PRIVATE COLLECTOR
JACOB PHILIPP HACKERT (PRENZLAU 1737-1807 SAN PIETRO DI CAREGGI)

A customs house, with dancers and musicians next to a fire, boats in a bay beyond (possibly the harbour of Castellamare di Stabia, Bay of Naples)

Details
JACOB PHILIPP HACKERT (PRENZLAU 1737-1807 SAN PIETRO DI CAREGGI)
A customs house, with dancers and musicians next to a fire, boats in a bay beyond (possibly the harbour of Castellamare di Stabia, Bay of Naples)
signed and dated 'Philipp Hackert pinx: 1780' (lower centre, at the base of the tree)
oil on canvas
25 ¾ x 38 ¾ in. (65.5 x 98.5 cm.)
Provenance
Private collection, Germany.
wtih Danny Katz, London; his sale, Sotheby's, London, 12 November 2013, lot 206, where acquired by the present owner.
Literature
C. Nordhoff and H. Reimer, Jakob Philipp Hackert 1737-1807: Verzeichnis seiner Werke, Berlin, 1994, I, p. 137, fig. 64; II, p. 59, no. 141.

Brought to you by

Lucy Speelman
Lucy Speelman Junior Specialist, Head of Part II

Lot Essay


This evocative landscape revisits the themes of moon and firelight schemes with which Hackert had previously engaged himself during the 1770s. A similar composition, a View of the lighthouse in the Bay of Naples lit by the moon with fishing boats in the foreground, signed and dated 1773, is in the Wallraf-Richartz-Museum, Cologne. In both this and the Cologne compositions, Hackert contrasts the silvery hues of the moonlight, reflected in the water, with the deep, warm reds of the fire which illuminates the Customs House, attracting an assembly of figures who dance in its light. The tree, prominently placed in the centre left foreground divides the composition with the fiery reds of the dancing scene to the left, and the cool, crisp greys of the waterscape to the right, a device previously used in the painting dated 1778, in the Georg Schäfer collection, Schweinfurt.

We are grateful to Ermanno Bellucci, author of L'immagine di Napoli nella cartografia europea dal Cinquecento all'Ottocento and former member of the Soprintendenza di Napoli, at Palazzo Reale, for suggesting that the scene may depict the harbour of Castellamare di Stabia.

More from Old Masters Part II: Paintings, Sculpture, Drawings and Watercolours

View All
View All