GIOVANNI BATTISTA CIMAROLI (SALÒ 1687-1771 VENICE)
GIOVANNI BATTISTA CIMAROLI (SALÒ 1687-1771 VENICE)
GIOVANNI BATTISTA CIMAROLI (SALÒ 1687-1771 VENICE)
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GIOVANNI BATTISTA CIMAROLI (SALÒ 1687-1771 VENICE)
7 More
GIOVANNI BATTISTA CIMAROLI (SALÒ 1687-1771 VENICE)

An Italianate landscape with a view of Lake Garda and Salo in the distance, with figures on a bridge; and An Italianate landscape with a view of Lake Garda with a shepherd and shepherdess watering their flock at a river

Details
GIOVANNI BATTISTA CIMAROLI (SALÒ 1687-1771 VENICE)
An Italianate landscape with a view of Lake Garda and Salo in the distance, with figures on a bridge; and An Italianate landscape with a view of Lake Garda with a shepherd and shepherdess watering their flock at a river
oil on canvas
the first, 22 7/8 x 29 1/8 in. (57.9 x 73.8 cm.); the second, 22 7/8 x 29 3/8 in. (58 x 74.3 cm.)
Provenance
Anonymous sale; Christie's, London, 2 March 1951, lot 97, as 'Zuccarelli'.
(Possibly) [The Property of Miss E. Currie]; Sotheby's, London, 26 February 1958, lot 163.
Ferrario Collection, Milan.
[The Carraro Rizzoli Collection: Treasures from a Milanese Palazzo]; their sale, Christie's, London, 14 December 2006, lot 25.
Literature
A. Morassi, 'Saggio su Giambattista Cimaroli collaboratore del Canaletto', Arte Veneta, XXVI, 1972, pp. 170-1, figs. 238-9.
R. Pallucchini, La Pittura nel Veneto. Il Settecento, Milan, 1996, II, p. 295, figs. 445-6.
F. Spadotto, 'Un artista dimenticato: Giovan Battista Cimaroli', Saggi e Memorie di Storia dell'Arte, XXIII, 1999, pp. 150-3, nos. 25-6, figs. 13-14.
F. Spadotto, Giovan Battista Cimaroli, Rovigo, 2011, pp. 166-7, nos. 44-44a, illustrated, where incorrectly listed as in the 'Ferrario Collection'.

Brought to you by

Lucy Speelman
Lucy Speelman Junior Specialist, Head of Part II

Lot Essay


Giovanni Battista Cimaroli trained first with Antonio Aureggio in Bologna and subsequently with the landscape painter Antonio Calza. That Cimaroli was an artist much in demand is illustrated by his collaboration in 1726 with Canaletto, Piazzetta, Pittoni and other artists on a series of allegorical tombs of British worthies commissioned by the 2nd Duke of Richmond, for which Cimarolie provided the landscape elements.

Cimaroli's idealised pastoral landscapes, of which this pair and those that feature as lot 168 in this sale are fine examples, are conceived in fluent brushwork and a light palette that is reminiscent of Zuccarelli. Such paintings helped to distinguish the artist and his work from both the topographical views of Canaletto and the more atmospheric pictures of Ricci.

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