AN ACHAEMENID GOLD APPLIQUE ROUNDEL WITH AHURA MAZDA
AN ACHAEMENID GOLD APPLIQUE ROUNDEL WITH AHURA MAZDA
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THE VIDAL GOLD HOARD (lots 75 - 84)PROPERTY FROM THE ESTATE OF NICOLAS KOTOULAKIS
AN ACHAEMENID GOLD APPLIQUE ROUNDEL WITH AHURA MAZDA

IRAN, CIRCA 5TH CENTURY B.C.

Details
AN ACHAEMENID GOLD APPLIQUE ROUNDEL WITH AHURA MAZDA
IRAN, CIRCA 5TH CENTURY B.C.
1 1/8 in. (4 cm.) diam.
Provenance
Reputedly excavated in Hamadan, Iran in 1920.
Maurice Vidal collection, New York, prior to July 1948.
Literature
A. Upham Pope, 'Recently Found Treasures of one of the World’s First and Greatest Empires: Achaemenid Gold Objects', in Illustrated London News, 17 July 1948, pp. 57-59, fig. 7.
Iran: pièces du Musée de Téhéran, du Musée du Louvre et de collections particulières, exhibition catalogue, Paris, Musée Cernuschi, 1948, pp. 36, no. 59.
M. T. Mustafavi, The Historical Monuments of Hamadan and a Chapter concerning Avicenna, Teheran, 1953, pp. 140-141.
H. J. Kantor, 'Achaemenid Jewelry in the Oriental Institute', in Journal of Near Eastern Studies, vol. 16, no. 1, 1957, p. 18, footnote 94.
Exhibited
Musée Cernuschi, Paris, Iran: pièces du Musée de Téhéran, du Musée du Louvre et de collections particulières, 23-31 July 1948.
Further details
US clients wishing to buy this lot, and any persons wishing to import it into the USA, should contact Christie’s prior to placing a bid. Due to current Iranian sanctions, transactions involving certain Iranian-origin property may require authorization from the Office of Foreign Assets Control (OFAC) to be shipped to the USA. Christie’s has an OFAC General License that enables these imports, subject to certain conditions and disclosures to OFAC. Please contact Christie’s for further information.

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Lot Essay

The applique roundel depicts Ahura Mazda, the bearded creator god of Zoroastrianism. He is depicted above a crescent moon, wearing voluminous robes and a crown, and holding a lotus flower in his left hand, while his right is raised. The roundel is ornamented with a fringe of lotus flowers radiating from a hatched band. Ahura Mazda appears frequently in Achaemenid art. For an example with him also holding a lotus and with the same hand gesture, see the impression of a chalcedony scaraboid from Lebanon, no. 5.32 in Boardman, Persia and the West. Similar images of the god above a crescent moon are found on an inlayed gold earring in Boston, no. 15 in Spier, Potts, and Cole, eds, Persia, Ancient Iran and the Classical World.
While the precise use for all of these objects is not known, extant rings on the reverses of the appliques suggest they were embedded into necklaces and bracelets or woven onto fabrics, either to ornament garments or decorate tents such as those captured by the Greeks at Plataea which Herodotus describes as being “adorned with gold and silver” (Herodoti Historiae ix, 80). The roundels similarly could have been embedded into garments, like the medallions seen on the robe worn by Xerxes in a relief at Persepolis, see Kantor, op. cit., p. 14, plate XI.

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