ALBRECHT DÜRER (1471-1528)
ALBRECHT DÜRER (1471-1528)

The Penance of Saint John Chrysostom

Details
ALBRECHT DÜRER (1471-1528)
The Penance of Saint John Chrysostom
engraving
circa 1496
on laid paper, without watermark
a very good, tonal impression, probably Meder e
printing sharply and strongly, with strong contrasts and relief
with narrow margins
in very good condition
Plate 180 x 117 mm.
Sheet 182 x 120 mm.
Provenance
Private French Collection; then by descent to the present owner.
Literature
Bartsch 63; Meder, Hollstein 54; Schoch Mende Scherbaum 7

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Stefano Franceschi
Stefano Franceschi Specialist

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Lot Essay

The Penance of Saint John Chrysostom is a reflection on a theme prevalent in Dürer's early engraved oeuvre, that of love, lust and temptation. Saint John Chrysostom (347-407), bishop of Constantinople, was one of the great doctors of the Church and famous for his sermons - his sobriquet means 'the golden-mouthed'. The present work, however, concentrates not on his loquacity, but on a far more unpleasant episode in his life. According to the legend, the saint retreated to the Syrian mountains and lived the ascetic life of a hermit for several years when the beautiful daughter of the Emperor took refuge in his hermitage during a storm. Unable to resist temptation and overcome with lust the hermit raped her, and to hide the evidence of his crime, pushed his unfortunate victim off the side of a mountain. When he realised the enormity of his sin he vowed to crawl on all fours and eat grass until God granted him forgiveness. Dürer's treatment of this dramatic incident is rather curious. The remorseful saint is shown crawling on all-fours in the distance, whereas, rather unexpectedly, the Emperor's daughter sits naked in the centre foreground, apparently unscathed. Even more perplexing is the depiction of a small child which she nurses contentedly. The legend makes no mention of this child, and we can only speculate that Dürer was relying on obscure sources which have not survived to the present day. If it was not for the saint crawling on the ground in the distance, the print could be easily mistaken for Madonna lactans, although the woman's nudity would be rather unusual and suspicious for a depiction of the Virgin.

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