A LARGE AND FINELY CAST BRONZE RITUAL FOOD VESSEL, GUI
A LARGE AND FINELY CAST BRONZE RITUAL FOOD VESSEL, GUI
A LARGE AND FINELY CAST BRONZE RITUAL FOOD VESSEL, GUI
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A LARGE AND FINELY CAST BRONZE RITUAL FOOD VESSEL, GUI
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Property from the collection of Mineo Hata
A LARGE AND FINELY CAST BRONZE RITUAL FOOD VESSEL, GUI

EARLY WESTERN ZHOU DYNASTY, 11TH-10TH CENTURY BC

Details
A LARGE AND FINELY CAST BRONZE RITUAL FOOD VESSEL, GUI
EARLY WESTERN ZHOU DYNASTY, 11TH-10TH CENTURY BC
The base of the interior is cast with a three-character inscription reading Ya Fu Xin, which may be translated as 'Ya (a clan sign) Father Xin'.
11 in. (28 cm.) across handles, Japanese double wood box
Provenance
Probably Panwen Qingong (Pan Zuyin, 1830-1890) Collection.
Furukawa Family Collection, early 20th century (according to label on box).
Mineo Hata Collection, Kobe, acquired in Japan circa 1995, by repute.
Literature
Wu Dacheng, Kezhai jigulu (Record of antiques collected by Kezhai), vol. 7, 1896, no.17.1.
Luo Zhenyu, Yin wen cun (Surviving inscriptions from the Yin dynasty), vol. 1, 1916, p.15, no.10.
Liu Tizhi, Xiaojiaojingge jinwen taben (Rubbings of Bronze Inscriptions at the Xiaojiaojingge Studio), vol. 7, 1935, p.1216.
Luo Zhengyu, Sandai jijin wencun (Surviving Writing from the Xia, Shang and Zhou Dynasties), vol. 6, 1937, p.600.
Yan Yiping, Jinwen Zongji (Corpus of Bronze Inscriptions), Taipei, 1983, no. 1891.
The Institute of Archaeology, Chinese Academy of Social Sciences, Yinzhou jinwen jicheng (Compendium of Yin and Zhou Bronze Inscriptions), Beijing, 1984, no.10521.
Wu Zhenfeng, Shang Zhou qing tong qi ming wen ji tu xiang ji cheng, vol.8, Shanghai, 2012, p.139, no.03829.

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Rufus Chen (陳嘉安)
Rufus Chen (陳嘉安) Head of Sale, AVP, Specialist

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Lot Essay

A very similar bronze gui dated to the early Western Zhou period, but of smaller size (23.2 cm. across handles) and with two small animal heads centering the upper register on either side, is illustrated by J. Rawson in Western Zhou Ritual Bronzes from the Arthur M. Sackler Collections, vol. IIB, Cambridge, Massachusetts, 1990, pp. 390-1, no. 45, and was subsequently sold at Christie’s New York, 17 March 2017, lot 1005. Two further similar examples are illustrated in articles reprinted in Chinese Bronzes: Selected articles from Orientations 1983-2000, Hong Kong. One is in the Klingenberg Collection in the Museum of East Asian Art, Berlin, and is illustrated by H. Butz, "Early Chinese Bronzes in the Collection of the Museum of East Asian Art", p. 382, fig. 10. The diamond-and-boss band is very similar to that on the current gui, but the narrow registers on the Berlin example feature different decoration. The other gui, in the Seattle Art Museum, is illustrated by M. Knight, "Bronze in Chinese Culture from the Shang to the Tang Dynasty", p. 207, fig. 5. The diamond-and-boss band on the Seattle gui is wider than that on the current gui and the other aforementioned examples and features five rows of bosses as opposed to three rows.

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