DIANE ARBUS (1923-1971)
DIANE ARBUS (1923-1971)
DIANE ARBUS (1923-1971)
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DIANE ARBUS (1923-1971)
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DIANE ARBUS (1923-1971)

Boy with a straw hat waiting to march in a pro-war parade, NYC, 1967

Details
DIANE ARBUS (1923-1971)
Boy with a straw hat waiting to march in a pro-war parade, NYC, 1967
gelatin silver print, printed 1967-1969
signed by Doon Arbus, Administrator in ink and stamped 'A Diane Arbus Print’ with annotations ‘#5027-1-7U-1114’ in ink, stamped Estate copyright credit (verso); credited, titled, dated on affixed gallery and exhibition label (frame backing board)
image: 10 ¼ x 9 7⁄8 in. (26 x 25 cm.)
sheet: 13 7⁄8 x 10 7⁄8 in. (35.2 x 27.6 cm.)
This work was printed by Diane Arbus between 1967-1969 and is accompanied by a Certificate of Authenticity signed by Doon Arbus.
Provenance
Pace/MacGill, New York;
acquired from the above by a private collector;
Christie's, New York, May 11, 2005, lot 51;
acquired from the above sale by the present owner.
Literature
Artforum, Volume IX, No. 9, New York, May 1971, cover and n.p.
Diane Arbus, Diane Arbus, Aperture, New York, 1972, n.p.
John Szarkowski, Looking at Photographs: 100 Pictures from the Collection of the Museum of Modern Art, The Museum of Modern Art, New York, 1973, p. 206.
Diane Arbus, Diane Arbus: Revelations, Random House, New York, 2003, p. 87.
Walter Moser et al., American Photography, The Albertina Museum, Vienna, 2020, pg. 81.
Exhibited
San Francisco, Fine Arts Museums of San Francisco, de Young Museum, Real to Real: Photographs from the Trevor Traina Collection, June 9, 2012 - September 16, 2012.
Vienna, The Albertina Museum, American Photography, August 24, 2021 - November 28, 2021.

Brought to you by

Rebecca Jones
Rebecca Jones Associate Vice President, Specialist, Head of Department

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Lot Essay


Born in New York City in 1923, Arbus emerged as a significant figure in photography during the 1960s, with her inclusion in the 1967 exhibition, New Documents, organized by John Szarkowski, cementing her place among a pantheon of important 20th century photographers. Arbus’s career was marked by her profound interest in capturing the uniqueness of each of her subjects. In her personal work, she focused on individuals from all walks of life.

Boy with a straw hat waiting to march in a pro-war parade, NYC sits within a broader body of work by Arbus that documents American life —or at least uses the visual language of a documentary style of photography—during the 1960s, a time of significant social and political upheaval. The image depicts an adolescent boy wearing a straw hat and patriotic garb (his pin reads ‘God Bless America, Support Our Boys in Vietnam’). While many critics have attempted to assign meaning to the image, the work itself is ambiguous—the boy presents himself, and Arbus makes an image. Any meaning, as is true of all of Arbus’s work, comes from the viewer.

The work on offer is a rare, lifetime print of the image, made by Arbus between 1967 and 1969 as is evident in the treatment of her borders. It is among only four lifetime prints of this image that have come to auction. Additionally, lifetime prints of the image reside in the permanent collections of The Metropolitan Museum of Art in New York; the Smithsonian American Art Museum in Washington D.C.; and the High Museum of Art in Atlanta.

This photograph appeared on the cover of Art Forum, Volume IX, No. 9, May 1971.

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