STEPHEN SHORE (B. 1947)
STEPHEN SHORE (B. 1947)
STEPHEN SHORE (B. 1947)
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STEPHEN SHORE (B. 1947)
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STEPHEN SHORE (B. 1947)

Beverly Boulevard and La Brea Avenue, Los Angeles, California, June 21, 1975

Details
STEPHEN SHORE (B. 1947)
Beverly Boulevard and La Brea Avenue, Los Angeles, California, June 21, 1975
chromogenic print
signed, titled, dated in ink (verso); credited, titled, dated on gallery and exhibition labels (frame backing board)
image/sheet: 7 7⁄8 x 10 in. (20 x 25.4 cm.)
Provenance
Edwynn Houk Gallery, New York;
acquired from the above by the present owner, 2008.
Literature
Stephen Shore, Uncommon Places, Aperture, New York, 1982, p. 39.
Stephen Shore, Uncommon Places: The Complete Works, Aperture, New York, 2004, p. 115.
Julian Cox and Kevin Moore, Real to Real: Photographs from the Traina Collection, Fine Arts Museums of San Francisco, 2012, pl. 8.
Quentin Bajac, Stephen Shore, The Museum of Modern Art, New York, 2017, p. 53.
Walter Moser et al., American Photography, The Albertina Museum, Vienna, 2020, p. 169.
Exhibited
San Francisco, Fine Arts Museums of San Francisco, de Young Museum, Real to Real: Photographs from the Trevor Traina Collection, June 9, 2012 - September 16, 2012.
Vienna, The Albertina Museum, American Photography, August 24, 2021 - November 28, 2021.

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Rebecca Jones
Rebecca Jones Associate Vice President, Specialist, Head of Department

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Lot Essay


In Beverly Boulevard and La Brea Avenue, Los Angeles, California, June 21, 1975, Stephen Shore captures a quintessential moment of Los Angeles life, transforming the ordinary into the extraordinary. This chromogenic print, in excellent condition and with robust colors, is a vivid slice of Americana, where the mundane becomes a canvas for storytelling and introspection. On this sun-soaked corner in Los Angeles on a summer’s day, the scene is bathed in the golden glow of California light, amidst the hustle and bustle of city life. The everyday scene becomes rich with narrative potential: vibrant colors of storefronts, the clear blue sky, and the passing cars come together to create a tapestry of urban life that is somehow both specific and universal.

Stephen Shore is a master of capturing the poetry in the prosaic, with his meticulous attention to detail and ability to frame the ordinary with intense precision inviting viewers to pause and reflect on beauty that often goes unnoticed.

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