Details
ROBERT ADAMS (B. 1937)
Longmont, Colorado, 1979
gelatin silver print, printed 1990
signed, titled, dated and numbered '18 / 30' in pencil (verso); credited, titled, dated, and numbered on gallery and exhibition labels (frame backing board)
image: 10 7⁄8 x 11 in. (27.6 x 27.9 cm.)
sheet: 19 7⁄8 x 15 7⁄8 in. (50.4 x 70.8 cm.)
This work is number eighteen from an edition of thirty.
Provenance
Fraenkel Gallery, San Francisco;
acquired from the above by the present owner, 2007.
Literature
Robert Adams, Summer Nights, Aperture, New York, 1985, n.p.
Robert Adams, Robert Adams: To Make it Home, Aperture Foundation, Inc, New York, 1989 p. 115.
Keith F. Davis, An American Century of Photograph, From Dry-Plate to Digital: The Hallmark Photographic Collection, Harry N. Abrams Inc., 1995, pl. 472.
Robert Adams, Summer Nights, Walking, Yale University Art Gallery, New Haven, 2009, pl. 1.
Robert Adams, Robert Adams: The Place We Live: Volume I, Yale University Art Gallery, New Haven, 2010, p. 201.
Robert Adams, What Can We Believe Where?, Yale University Art Gallery, New Haven, 2010, p. 66.
Walter Moser et al., American Photography, The Albertina Museum, Vienna, 2020, pg. 179.
Exhibited
San Francisco, Fine Arts Museums of San Francisco, de Young Museum, Real to Real: Photographs from the Trevor Traina Collection, June 9, 2012 - September 16, 2012.
Vienna, The Albertina Museum, American Photography, August 24, 2021 - November 28, 2021.

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Lot Essay


Robert Adams’s Longmont, Colorado, 1979, is a poignant representation of his commitment to capturing the nuanced interactions between human development and the natural landscape. The image depicts a nighttime scene at the Boulder County Fairgrounds, where a lit-up carnival ride stands in stark contrast to the dark sky and faint silhouette of the Rocky Mountains in the background. The not only emphasizes the transient nature of the fairground, but also evokes a sense of nostalgia and introspection. The bright lights of the carnival juxtaposed with the brooding sky serves as a metaphor for the fleeting moments of joy and the enduring presence of nature, even amidst human encroachment.

Taken during a period of significant cultural and environmental shifts in American, Longmont, Colorado, 1979, reflects Adams’s ongoing exploration of suburban sprawl and its impact on the American West. The late 1970s, with rapid urban expansion and industrial growth, saw a period of encroachment on rural and natural areas. Adams’ work from this era captures this – exploring the delicate balance between human activity and the natural world. The photograph’s setting at a local fairground serves as a microcosm for these broader themes, illustrating the intersection of fleeting human pleasures and the timeless natural landscape.

The lot on offer is a signed print from the edition of thirty; this edition is the larger (16 by 20 inches) of the two most commonly seen sizes that Longmont, Colorado, 1979 was printed in.

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