THOMAS STRUTH (B. 1954)
THOMAS STRUTH (B. 1954)
THOMAS STRUTH (B. 1954)
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THOMAS STRUTH (B. 1954)
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THOMAS STRUTH (B. 1954)

El Capitan, Yosemite National Park, 1999

Details
THOMAS STRUTH (B. 1954)
El Capitan, Yosemite National Park, 1999
chromogenic print, face-mounted to Plexiglas
signed in ink and credited, titled and numbered '6 / 10' on affixed photographer's label and credited, titled, dated and numbered on affixed gallery and exhibition labels (frame backing board)
image: 66 ½ x 85 in. (168.9 x 215 cm.)
overall framed: 71 ½ x 90 in. (181.6 x 228.6 cm.)
This work is number six from an edition of ten.
Provenance
Marian Goodman Gallery, New York;
acquired from the above by a private collector;
Christie's, London, October 14, 2010, lot 5;
acquired from the above sale by the present owner.
Literature
Exhibition catalogue, Thomas Struth, Max Hetzler Gallery, Berlin, 2001, p. 3.
Exhibition catalogue, Thomas Struth: 1977-2002, The Dallas Museum of Art, Dallas, 2002, p. 137.
Exhibition catalogue, Thomas Struth: Photographs 1978-2010, Schirmer/Mosel, Germany, 2010, pp. 92, 173.
Julian Cox and Kevin Moore, Real to Real: Photographs from the Traina Collection, Fine Arts Museums of San Francisco, 2012, pl. 2.
Nana Last, Archive Matrix Assembly: The Photography of Thomas Struth, Applied Research & Design, San Rafael, 2021, n.p.
Exhibited
San Francisco, Fine Arts Museums of San Francisco, de Young Museum, Real to Real: Photographs from the Trevor Traina Collection, June 9, 2012 - September 16, 2012.

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Lot Essay


“Struth poses aesthetically formulated issues that make such an impact not least because they concern us personally, and are, above all, crucial to the future of human civilization.” The Monacelli Press, Thomas Struth, Photographs 1978-2010

Thomas Struth’s El Capitan, Yosemite National Park, 1999 is an example of his trademark landscape photography, capturing the awe-inspiring beauty of one of America’s most iconic natural landmarks. Known for his meticulous attention to detail and a profound sense of presence in his images, Struth presents El Capitan not merely as a geographic feature, but as a monumental testament to nature’s grandeur – and its power over humans.

Struth’s work is characterized by an objective approach to capturing architecture and urban spaces, which he later expanded to include natural landscapes. His transition to landscape photography in the late 1990s marked a significant evolution in his artistic practice, reflecting his growing interest in visually understanding humanity’s relationship with the natural world.

As Struth created his landscape series, the world was becoming increasingly conscious of the impact of human activity on nature. The notable inclusion of tourists in El Capitan, Yosemite National Park comments on the intersection of the two worlds, focusing on how nature exists amidst human interaction. Struth’s landscapes are celebrated for their ability to evoke a distinctive, contemplative experience, prompting viewers to reflect on their own place within the vastness of nature.

The large scale of El Capitan, Yosemite National Park allows viewers to immerse themselves in the scene. Measuring over six feet in height and nearly eight feet in width, viewers are able to experience the sheer scale of the vast rock formation of El Capitan, as if standing at its base. Furthermore, Struth’s uses a large-format camera and long exposure time, to result in an image of stunning detail and tonal richness. Every nuance of light and shadow, from highlighting the texture of the mountain range to the richness of the surrounding foliage, is meticulously rendered.

El Capitan, Yosemite National Park has been exhibited widely, including at the Dallas Museum of Art, the Museum of Contemporary Art Los Angeles, and the Museum of Contemporary Art Chicago.

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