REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Landscape with a Cow drinking

Details
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Landscape with a Cow drinking
etching and drypoint
circa 1650
on laid paper, without watermark
a fine impression of the second state (of five)
printing strongly and with touches of burr
with thread to narrow margins, trimmed on the platemark at lower left
some minor defects and touches of ink and wash
otherwise in good condition
Plate 103 x 130 mm.
Sheet 107 x 131 mm.
Provenance
Wilhelm Koller (d. 1871), Vienna (Lugt 2632); his sale, Posonyi, Vienna, 5 February 1872 (and following days), lot 1321 or 1322.
With August Laube Kunsthandel, Zurich.
Sam Josefowitz (Lugt 6094); acquired from the above in 1970; then by descent to the present owners.
Literature
Bartsch, Hollstein 237; Hind 240; New Hollstein 251 (this impression cited)
Stogdon p. 318

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Tim Schmelcher
Tim Schmelcher International Specialist

Lot Essay

This scene with a little farmhouse sheltered by some trees, a canal with a small, moored boat and a cow drinking at the water’s edge would be a quintessentially Dutch landscape, were it not for the rocky escarpment behind the building and the hills in the distance. Rembrandt took familiar motifs, such as a langhuis and the canal, and placed them in a more picturesque landscape. He may have seen and sketched the building and the canal near Diemen, where this type of building is common (see: Schneider, 1990, p. 155; and Hinterding, 2008, p. 448), while the mountainous scenery was probably inspired by Bruegel or Goltzius, who unlike Rembrandt had traveled south, or by the dramatic landscapes of Hercules Seghers. Although he was personally unfamiliar with such places, Rembrandt in this small etching achieved a surprising harmony and continuity between the Dutch foreground and the more exotic background.
The Landscape with the Cow exists in two life-time states, with only a tiny change between the two: in the second state, Rembrandt added a few lines of shading to the meadow just to the right of the cow. Of the first state, only ten impressions are known in public collections.

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