REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
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REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Young Man in a Velvet Cap (Petrus Sylvius?)

Details
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Young Man in a Velvet Cap (Petrus Sylvius?)
etching
1637
on laid paper, watermark fragment Strasbourg Lily (Hinterding C.f.b.)
a very fine impression of the second, final state
printing with great clarity, contrasts and much inky relief
with touches of burr on the chin, hair and elsewhere, and a subtle plate tone
with exceptionally wide margins
in very good condtion
Plate 96 x 83 mm.
Sheet 170 x 136 mm.
Provenance
Unidentified, inscribed 'Petrús Silviús' in brown ink verso, presumably 17th century.
Daniel Daulby (1745 or 1746-1798), Liverpool and Rydal Mount (Lugt 738); his sale, T. Vernon, Liverpool, 12-21 August 1799, 8th day, lot 64 (with an impression of NH 156; inscribed in brown ink verso with the Daulby numbers of both subjects: No. 248⁄249).
Probably William Roscoe (1753-1831), Liverpool (without mark; see Lugt 2645; inscribed -1/Ap 48 [?] in red crayon verso); his sale, Winstanley, Liverpool, 9-20 September 1816, lot 1008 (with two others) (£ 1; to Hatfield).
Thomas Miller Whitehead (1821-1897?), London (Lugt 2449, dated 1853).
Emile Galichon (1829-1875), Paris (Lugt 1058); his posthumous sale, Hôtel Drouot (exp. Clément), 10-14 May 1875, lot 563 ('Magnifique épreuve du premier état, avec des parties claires dans les cheveux. Elle a de grandes marges.') (Fr. 200; to Galichon).
Louis Galichon (1829-1893), Paris (Lugt 1060).
Atherton Curtis (1863-1943) & Louise Burleigh Curtis (1869-1910), Paris (Lugt 94); probably acquired privately from the above; their posthumous sale, Gutekunst & Klipstein, Bern, 28 April 1955, lot 116 (CHF 1,100).
Private Collection, Argentina; acquired at the above sale.
With C. G. Boerner, Leipzig (with their stocknumber 9078 in pencil verso); acquired from the above; their catalogue, Neue Lagerliste 62 (1973), no. 40.
Jan A. Ahlers (1934-2013), Herford, Westphalia (without mark and not in Lugt); acquired from the above; his sale, Hauswedell & Nolte, Hamburg, 2 June 1977, lot 143 (to Boerner).
With C. G. Boerner, Leipzig (with their stocknumber 9803 in pencil verso).
Private Collection, USA; Christie's, London, 28 November 1989, lot 101a (£ 52,800; to Boerner for Ritman).
Joseph R. Ritman (b. 1941), Amsterdam (not in Lugt); acquired at the above sale; his sale, A Collection of Etchings by Rembrandt Harmensz. van Rijn (1606-1669), presented by Artemis Fine Arts and Sotheby's, London, no. 102 ($ 150,000).
Dr. S. William Pelletier (1924-2004), Athens, Georgia (Lugt 4193, stamped and inscribed in pencil with his date of acquisition: 2002 2-12.1); acquired from Artemis; his posthumous sale, The Dr. S. William Pelletier Collection of Prints, Sotheby's, London, 2 December 2004, lot 56.
Sam Josefowitz (Lugt 6094); acquired at the above sale; then by descent to the present owners.
Literature
Bartsch, Hollstein 268; Hind 151; New Hollstein 164 (this impression cited and described)
Stogdon 110
D. de Hoop Scheffer, Petrus Sylvius par Rembrandt, in: Liber amicorum Karel G. Boon, Amsterdam, 1974, p. 96-101.
E. Hinterding, Rembrandt Etchings from the Frits Lugt Collection, Paris, 2008, p. 470.
Exhibited
S. D. Kuretsky, A. W. Pelletier (et al.), Etchings by Rembrandt from the S. William Pelletier Collection, Ithaca, Herbert F. Johnson Museum of Art, 2004, no. 17.

Brought to you by

Tim Schmelcher
Tim Schmelcher International Specialist

Lot Essay

The present sheet is part of Rembrandt research history. Traditionally, the sitter for this small but extremely carefully observed and elegantly executed portrait had been identified as Rembrandt's pupil Ferdinand Bol (or possibly Gerrit Dou or Jan van Vliet) until in 1974 this very impression came to the attention of Dieuwke de Hoop-Scheffer, print curator at the Rijksmuseum in Amsterdam, who published about the 17th-century inscription on the reverse, which identified the man as Petrus Sylvius (1610-1653). Petrus was the son of the preacher Jan Cornelius Sylvius, who had conducted the marriage ceremony between Rembrandt and Saskia van Uylenburgh and whom Rembrandt had etched on two occasions (B. 266 & 284; New Holl. 124 & 294). Like his father, he became a minister of the Dutch Reformed Church, and it has been suggested that Rembrandt made this fine portrait to celebrate the occasion.

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