ANGELICA KAUFFMAN, R.A. 
(CHUR, GRAUBÜNDEN 1741-1807 ROME)
ANGELICA KAUFFMAN, R.A. 
(CHUR, GRAUBÜNDEN 1741-1807 ROME)
ANGELICA KAUFFMAN, R.A. 
(CHUR, GRAUBÜNDEN 1741-1807 ROME)
ANGELICA KAUFFMAN, R.A. 
(CHUR, GRAUBÜNDEN 1741-1807 ROME)
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PROPERTY OF A FAMILY
ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME)

Calypso lamenting the departure of Ulysses

Details
ANGELICA KAUFFMAN, R.A. (CHUR, GRAUBÜNDEN 1741-1807 ROME)
Calypso lamenting the departure of Ulysses
oil on copper
11 1⁄8 x 8 5⁄8 in. (28.2 x 21.9 cm.)
Provenance
Acquired by the great-great-grandfather (d.1876) of the present owners, and by descent.

Brought to you by

Lucy Speelman
Lucy Speelman Junior Specialist, Head of Part II

Lot Essay


This poignant copper by Angelica Kauffman is a recent rediscovery, having passed by descent in a private English collection for at least around 150 years. The artist's small, single-figure history and allegory subjects, often painted on copper ovals, were much in demand during her lifetime, with many reproduced and circulated as engravings. The Odyssey was a fruitful source of subject matter; she painted more than a dozen scenes from Homer's epic and revisited many of them on subsequent occasions. Here Kauffman shows the nymph Calypso in the moments following Ulysses' departure from the island of Ogygia, with his ship receding into the distance on the ocean beyond. Its pendant scene, of which more examples seem to survive, depicts Ulysses' sorrowful wife Penelope holding his bow. The theme of abandoned, melancholic women was clearly meaningful to Kauffman, whether her heroine was mythological, allegorical or literary, and here she evokes the moment of Calypso's heartbreak with her characteristically fluid brushwork and delicate colour palette.

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