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Property from the Collection of Elaine and Alexandre Rosenberg, New York
THE MODEL POSSIBLY AFTER BARTHELEMY PRIEUR (FRENCH, 1536-1611), ITALIAN OR FRENCH, POSSIBLY SECOND HALF 16TH CENTURY
Figure of a Standing Youth, also known as Narcissus
Details
THE MODEL POSSIBLY AFTER BARTHELEMY PRIEUR (FRENCH, 1536-1611), ITALIAN OR FRENCH, POSSIBLY SECOND HALF 16TH CENTURY
Figure of a Standing Youth, also known as Narcissus
On a later marble stand
bronze, gold patina
11 ¼ in. (28.5 cm.) high, overall
Figure of a Standing Youth, also known as Narcissus
On a later marble stand
bronze, gold patina
11 ¼ in. (28.5 cm.) high, overall
Literature
Italian Renaissance Bronzes, exhibition catalogue, New York, Paul Rosenberg & Co., 1980, p. 4.
P. Joannides, 'Two Bronze Statuettes and Their Relation to Michelangelo,' Burlington Magazine, vol. 124, no. 946 (January 1982), p. 7, note 10.
A. P. Rosenberg, Bronzes of the Italian Renaissance; Twenty-Two Unpublished Statuettes, New York, Paul Rosenberg & Co., 1981, p. 16, no. 6, fig. 35–37.
A. P. Rosenberg, Renaissance Bronzes and Later Sculpture, New York, Paul Rosenberg & Co., 1984, p. 29, no. 9.
N. Penny, Catalogue of European Sculpture at the Ashmolean Museum: 1540 to the Present Day, Vol. 2, French and Other European Sculpture, Oxford, 1992, cat. no. 324, p. 93.
M. Leithe-Jasper and P. Wengraf, European Bronzes from the Quentin Collection, New York, 2004, p. 108.
V. Avery and J. Dillon, Renaissance and Baroque Bronzes from the Fitzwilliam Museum, Cambridge, Daniel Katz, London, 2002, p. 191, note 14.
P. Joannides, 'Two Bronze Statuettes and Their Relation to Michelangelo,' Burlington Magazine, vol. 124, no. 946 (January 1982), p. 7, note 10.
A. P. Rosenberg, Bronzes of the Italian Renaissance; Twenty-Two Unpublished Statuettes, New York, Paul Rosenberg & Co., 1981, p. 16, no. 6, fig. 35–37.
A. P. Rosenberg, Renaissance Bronzes and Later Sculpture, New York, Paul Rosenberg & Co., 1984, p. 29, no. 9.
N. Penny, Catalogue of European Sculpture at the Ashmolean Museum: 1540 to the Present Day, Vol. 2, French and Other European Sculpture, Oxford, 1992, cat. no. 324, p. 93.
M. Leithe-Jasper and P. Wengraf, European Bronzes from the Quentin Collection, New York, 2004, p. 108.
V. Avery and J. Dillon, Renaissance and Baroque Bronzes from the Fitzwilliam Museum, Cambridge, Daniel Katz, London, 2002, p. 191, note 14.
Exhibited
Italian Renaissance Bronzes, New York, Paul Rosenberg & Co., 1980.
Brought to you by
Taylor Alessio
Junior Specialist, Head of Part II
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