ROBERT SPEAR DUNNING (1829-1905)
ROBERT SPEAR DUNNING (1829-1905)
ROBERT SPEAR DUNNING (1829-1905)
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ROBERT SPEAR DUNNING (1829-1905)
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ROBERT SPEAR DUNNING (1829-1905)

Apples

Details
ROBERT SPEAR DUNNING (1829-1905)
Apples
signed 'R.S. Dunning/1869' (lower left)
oil on canvas
19 ¾ x 25 ¼ in. (50.2 x 64.1 cm.)
Painted in 1869.
Provenance
Private collection, Swansea, Massachusetts.
Christie's, New York, 6 December 1985, lot 13, sold by the above.
Private collection, New York, acquired from the above.
The Manoogian Collection, Taylor, Michigan, by 1989.
Michael Altman Fine Art & Advisory Services, New York.
Acquired by the present owner from the above, 2008.
Literature
(Probably) B. Chapin, Fall River Evening Herald, December 14, 1911, p. 15.
Exhibited
(Probably) Fall River, Massachusetts, Fall River Public Library, December 14-28, 1911, no. 5.
Washington, D.C., National Gallery of Art; San Francisco, California, Fine Arts Museums of San Francisco; New York, Metropolitan Museum of Art; Detroit, Michigan, Detroit Institute of Arts, American Paintings from the Manoogian Collection, June 4, 1989-May 27, 1990, pp. 102-03, no. 38, illustrated.
New Haven, Connecticut, Yale University Art Gallery; Detroit, Michigan, Detroit Institute of Arts; Atlanta, Georgia, The High Museum of Art, A Private View: American Paintings from the Manoogian Collection, April 3, 1993-March 6, 1994, pp. 109-11, illustrated.
Sapporo, Japan, Hokkaido Museum of Modern Art; Shiga, Japan, The Museum of Modern Art; Yokote, Japan, The Akita Museum of Modern Art; Japan, Tokuyama City Museum of Art History; Yokohama, Japan, Sogo Museum of Art, From the Hudson River School to Impressionism: American Paintings from the Manoogian Collection, July 5, 1997-February 1, 1998, pp. 70-71, no. 18, illustrated.
Memphis, Tennessee, Dixon Gallery and Gardens, Celebrate America: 19th Century Paintings from the Manoogian Collection, February 7-April 18, 1999, pp. 44-45, no. 13.

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Lot Essay

Born in 1829, Robert Spear Dunning was raised in Fall River, Massachusetts, and studied at the National Academy of Design under Daniel Huntington. Around 1864 Dunning shifted his emphasis from portraiture to still life and was a founding member of the Fall River Evening Drawing School—an unique establishment for a small New England town. He exhibited at the National Academy of Design from 1850-1880, at the American Art Union in 1850, as well as at the Boston Art Club. Dunning’s work frequently features abundant displays of fruit, often accompanied by sumptuously decorated household objects. In the present work, "Dunning departed from his opulent Victorian fruit pieces, and turned his composition into a moral commentary. The abundantly filled bag spills forth apples, sharing its bounty with the tattered straw hat; thus contrasting the believed relationship between bounty, plenty, and wealth to that of want, need, and poverty, and the joy of charity and giving." (J.W. Tottis, in National Gallery of Art, American Paintings from the Manoogian Collection, exhibition catalogue, Washington, D.C., 1989, p. 102)

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