Lot Essay
This powerful drawing is a study for a figure in one of Boucher’s greatest masterpieces, The Setting of the Sun, in the Wallace Collection, London (fig. 1; inv. P486; S. Duffy and J. Hedley, The Wallace Collection’s Pictures. A Complete Catalogue, London, 2004, pp. 52-53, ill.). Together with the equally celebrated Rising of the Sun in the same collection (inv. P485), the picture was commissioned in 1752 and served as a cartoon for a tapestry destined to King Louis XV's bedroom in the Château de Bellevue.
The figure on this sheet corresponds to the triton at lower left in the painted composition. Several other drawings related to Boucher’s painting survive, among them the study of the triton rising from the sea and holding a conch, Klassik Stiftung Weimar (inv. KK 9000; see P. Rosenberg in De Callot à Greuze. Dessins français des XVIIe et XVIIIe siècles des musées de Weimar, exhib. cat., Weimar, Stiftung Weimarer Klassik und Kunstsammlungen, New York, The Frick Collection, and Paris, Musée Jacquemart-André, 2005-2006, no. 53, ill.).
Fig. 1. François Boucher, The Setting of the Sun. Wallace Collection, London.
The figure on this sheet corresponds to the triton at lower left in the painted composition. Several other drawings related to Boucher’s painting survive, among them the study of the triton rising from the sea and holding a conch, Klassik Stiftung Weimar (inv. KK 9000; see P. Rosenberg in De Callot à Greuze. Dessins français des XVIIe et XVIIIe siècles des musées de Weimar, exhib. cat., Weimar, Stiftung Weimarer Klassik und Kunstsammlungen, New York, The Frick Collection, and Paris, Musée Jacquemart-André, 2005-2006, no. 53, ill.).
Fig. 1. François Boucher, The Setting of the Sun. Wallace Collection, London.