MAXFIELD PARRISH (1870-1966)
MAXFIELD PARRISH (1870-1966)
MAXFIELD PARRISH (1870-1966)
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PROPERTY OF AN IMPORTANT MASSACHUSETTS COLLECTION
MAXFIELD PARRISH (1870-1966)

Villa Scassi, Genoa

Details
MAXFIELD PARRISH (1870-1966)
Villa Scassi, Genoa
signed with initials 'M·P' (lower right)—signed 'Maxfield Parrish.,' dated 'June of 1904.' and inscribed with title (on the reverse)—signed again and inscribed 'Niche at Villa Scassi.' (on a label affixed to the strainer)
oil on paper
17 x 11 ½ in. (43.2 x 29.2 cm.)
Painted in 1904.
Provenance
Private collection, Massachusetts, by 1959.
By descent to the present owner.
Literature
E. Wharton, Italian Villas and Their Gardens, New York, 1904, p. 181, illustrated (as A Garden-Niche, Villa Scassi, Genoa).
E. Wharton, "Italian Villas and Their Gardens," Century Magazine, vol. LXVIII, no. 6, October 1904, p. 894, illustrated (as A Garden-Niche at the Villa Scassi, Genoa).
Exhibited
Philadelphia, Pennsylvania, Pennsylvania Academy of the Fine Arts, 100th Anniversary Exhibition, January 23-March 4, 1905, p. 19, no. 178 (as Niche at Villa Scassi).

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Lot Essay

The present work belongs to a series of landscapes painted by Maxfield Parrish to serve as illustrations for the 1904 publication, Italian Villas and their Gardens. Originally commissioned by Century Magazine as a series of articles, the writings were ultimately compiled into a book, with commentary by Edith Wharton. To prepare for the project, Parrish traveled to Italy in March of 1903, staying for three months, to take photographs and sketch the surrounding landscape. According to Coy Ludwig, "Italian Villas and Their Gardens provided an avenue of expression for Parrish's architectural interests, as well as for his growing desire to paint landscapes. The paintings, as a result, were a sensitive and striking departure from his more fanciful work, to which the public had grown accustomed." (Maxfield Parrish, New York, 1973, p. 32) Another work from this series is in the collection of the Minneapolis Institute of Art in Minnesota.

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