A GILDED MINA'I POTTERY BOTTLE
A GILDED MINA'I POTTERY BOTTLE
A GILDED MINA'I POTTERY BOTTLE
A GILDED MINA'I POTTERY BOTTLE
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A GILDED MINA'I POTTERY BOTTLE

IRAN, CIRCA 1200

Details
A GILDED MINA'I POTTERY BOTTLE
IRAN, CIRCA 1200
The white ground painted under the glaze with turquoise and cobalt-blue, red and gilt details added over the glaze, the rounded body with an interlaced design of cobalt and gold split palmettes with raised openwork bosses around the shoulder, the narrow neck similarly decorated, rising to a flared mouth with similar openwork bosses, the interior and base plain, repaired breaks and restoration
8 ¼in. (21.1cm.) high
Provenance
Private London collection, 1981 until 2024
Further details
Some countries prohibit or restrict the purchase and/or import of Iranian-origin property. Bidders must familiarise themselves with any laws or shipping restrictions that apply to them before bidding. For example, the USA prohibits dealings in and import of Iranian-origin “works of conventional craftsmanship” (such as carpets, textiles, decorative objects, and scientific instruments) without an appropriate licence. Christie’s has a general OFAC licence which, subject to compliance with certain conditions, would enable a buyer to import this type of lot into the USA. If you intend to use Christie’s licence, please contact us for further information before you bid.

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Lot Essay

Mina'i ware is a luxurious type of Persian pottery developed in Kashan in the years leading up to the Mongol invasion in 1219, after which production collapsed. Known for its detailed overglaze enamels, it represents one of the most refined ceramics of the medieval Islamic world. The white fritware or stonepaste body is decorated with vivid colours, often including figures, and the technique involves four firings. This process, also known as haft-rang or "seven colours," was revolutionary. The technical advancements that allowed painting under and over the matt glaze contributed greatly to the success of mina'i ceramics, transforming each piece into a precious decorative object.

Potters also combined this technique with low-relief decoration, often enhanced with gilding, to create an even more opulent effect, as seen on this bottle. It features an unusual and rarely seen addition of circular gilded bosses with holes, imitating the complex design of double-skinned pierced Kashan ewers, adding to its luxurious appeal. A comparable mina’i bottle with gilded decoration is in the Metropolitan Museum of Art (acc.no.57.61.6).

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