A 'FOLIATE DRAGON AND BAT' DAYBED COVER
A 'FOLIATE DRAGON AND BAT' DAYBED COVER
A 'FOLIATE DRAGON AND BAT' DAYBED COVER
A 'FOLIATE DRAGON AND BAT' DAYBED COVER
3 More
PROPERTY FROM THE COLLECTION OF HANS KÖNIG
A 'FOLIATE DRAGON AND BAT' DAYBED COVER

NINGXIA, NORTH CHINA, KANGXI PERIOD, LAST QUARTER 17TH CENTURY

Details
A 'FOLIATE DRAGON AND BAT' DAYBED COVER
NINGXIA, NORTH CHINA, KANGXI PERIOD, LAST QUARTER 17TH CENTURY
Light localised spots of wear, heavily corroded brown, occasional light spot surface marks, selvages frayed, slight loss at each end

5ft.4in. x 3ft.11in. (165cm. x 95cm.)
Provenance
Reputedly bought from Frank Michaelian, New York, in 1980
With Vojtech Blau, New York
With The Textile Gallery, London, from where purchased
Thence by descent
Literature
M. Franses, Classical Chinese Carpets in Western Collections, The Kangxi Period, 1661-1722, London, 2002, p.15, pl.4.
Exhibited
Glanz der Himmelssöhne Kaiserliche Teppiche Aus China, Museum für Ostasiatische Kunst, Köln, 2005-2006, illustrated in the exhibition catalogue (Hans König and Michael Franses, London 2005, p.115, pl.35)

Brought to you by

Phoebe Jowett Smith
Phoebe Jowett Smith Department Coordinator

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

The reign of the Kangxi Emperor (1662-1722) was a period of great achievement for all the arts, and carpets woven during this period are celebrated for their harmony and proportion both in coloration and size. Woven for both the Imperial court and nobility, Qing dynasty rugs and carpets were often made for a specific place or function. Based on its proportions, the present carpet was most likely made as a daybed cover that would have been typically reserved for an important guest. The fact that it was positioned on a specific platform meant that it was not widely walked upon, which in turn helped preserve its condition.

The details of the dragons are very precisely drawn and the eyes are highlighted in light blue. The inner stripe separating the field and the border has a blue key-meander pattern on a yellow background, which changes its direction in the center of each end border, but on the sides at the height of a pair of bats. The outer border shows a blue swastika-meander that changes direction at each end but not on the sides. This border is separated from the corroded dark brown-grey frame by narrow blue, light blue and beige guard stripes, the latter being relatively wide. As is always the case in early Chinese rugs, the design composed of just a few ornaments only appears simple at first glance.

More from Art of the Islamic and Indian Worlds including Rugs and Carpets

View All
View All