A 'FRET LATTICE AND BAT' SEATING MAT
A 'FRET LATTICE AND BAT' SEATING MAT
A 'FRET LATTICE AND BAT' SEATING MAT
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A 'FRET LATTICE AND BAT' SEATING MAT
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PROPERTY FROM THE COLLECTION OF HANS KÖNIG
A 'FRET LATTICE AND BAT' SEATING MAT

NINGXIA, NORTH CHINA, KANGXI PERIOD, LAST QUARTER 17TH CENTURY

Details
A 'FRET LATTICE AND BAT' SEATING MAT
NINGXIA, NORTH CHINA, KANGXI PERIOD, LAST QUARTER 17TH CENTURY
Uneven wear, corroded dark brown, localised repiling, selvages frayed, ends partially rewoven
5ft.5in. x 3ft.2in. (170cm. x 98cm.)
Provenance
Fred Cagan, Kathmandu
With The Textile Gallery, London, from whom purchased in March 2000
Thence by descent
Exhibited
Glanz der Himmelssöhne: Kaiserliche Teppiche aus China 1400–1750, Museum für Ostasiatische Kunst, Köln, 2005-2006, illustrated in the exhibition catalogue ( Michael Franses and Hans König, London, 2005, p.87, pl.19).

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Lot Essay

Bat imagery is associated with auspiciousness in Chinese art, dating back to the Han dynasty. The pronunciation of “bat” in Chinese is “fú”, the same as that of “blessing”, but there is also a poetic reference to their quick and fleeting appearance at dusk. Bats are also a symbol of longevity because of their habit of hanging upside down and remaining motionless.

There are a number of known variants of the 'key-fret and bat' lattice which are listed by Michael Franses, 'Early Ninghsia Carpets', HALI, Vol 5, No 2, p.139, where he cites nine recorded examples displaying an indigo lattice set upon a beige ground, overlaid with bats, as in the present rug. Another example was formerly in the Wher collection, (Franses, op.cit. fig.12) while a smaller seating mat is in the Metropolitan Museum of Art, New York, bequeathed in 1949 by Ellis Gray Seymour, (Acc. No. 49.6.1).

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