ATTRIBUTED TO LIONEL BICKNELL CONSTABLE (LONDON 1828-1887)
ATTRIBUTED TO LIONEL BICKNELL CONSTABLE (LONDON 1828-1887)
ATTRIBUTED TO LIONEL BICKNELL CONSTABLE (LONDON 1828-1887)
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ATTRIBUTED TO LIONEL BICKNELL CONSTABLE (LONDON 1828-1887)

A cloud study

Details
ATTRIBUTED TO LIONEL BICKNELL CONSTABLE (LONDON 1828-1887)
A cloud study
oil on canvas
6 3⁄8 x 9 ¼ in. (16.2 x 23.6 cm.)
Provenance
Alexander Young (1828-1907), London; his sale, Christie's, London, 30 June-4 July 1910, lot 371, as 'J. Constable, R.A.', 65 gns. to the following,
with Gooden & Fox, London.
Sir Kenneth Clark, 1st Baron Clark of Saltwood (1903-1983), Kent, and by descent until;
[The Property of a Gentleman]; Sotheby's, London, 10 July 1991, lot 83, as John Constable, R.A., where acquired by the present owner.
Literature
G. Reynolds, The Later Paintings and Drawings of John Constable, 1984, I, p. xv, no. 24.68, and II, p. 148, pl. 537, as John Constable.

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Lot Essay

Lionel Bicknell Constable was the seventh and last child of John Constable and his wife Maria. He was born in Hampstead in 1828 and, like his father, specialized in landscape painting. Leslie Parris and Ian Fleming-Williams' 1978 article highlights the closeness of the father and son's works, identifying a number of paintings whose attributions were confused, likely because Lionel often painted the same locations as his father (see 'Which Constable?', The Burlington Magazine, September 1978, pp. 566-578). The present cloud sketch does not particularly resemble the elder Constable's works in palette or technique; rather, it bears a much closer similarity to Lionel's cloud pictures. One example, now in the Yale Center for British Art, New Haven (inv. no. B1981.25.153) utilizes a similar chalky blue pigment and the paint is applied with comparably rapid, sweeping strokes. Later in life, Lionel turned away from painting in favor of photography, occasionally capturing the same landscapes his father had painted.

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