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Miss January
Details
MARLENE DUMAS (B. 1953)
Miss January
signed, titled and dated 'M Dumas Miss January 1997' (on the reverse)
oil on canvas
110 ¼ x 39 3⁄8 in. (280 x 100 cm.)
Painted in 1997.
Miss January
signed, titled and dated 'M Dumas Miss January 1997' (on the reverse)
oil on canvas
110 ¼ x 39 3⁄8 in. (280 x 100 cm.)
Painted in 1997.
Provenance
Galerie Paul Andriesse, Amsterdam
Acquired from the above by the present owner, 2000
Acquired from the above by the present owner, 2000
Literature
E. van Alphen, "Miss Worlds neue Kleider," Texte zur Kunst, vol. 8, March 1998, p. 141-143.
E. van Alphen, "Hoe kleden we het kunstwerk aan? Bij het recente werk van Marlene Dumas," De Witte Raaf, May-June 1998, p. 12-13, no. 73.
D. Schwarze, "Damenwahl: Marlene Dumas und Andries Botha," Kunstverein + Kunsthalle: das Fridericianum Magazin, Autumn 1998, p. 28-31.
B. Skupin, "Zarte Wilde," Vogue Deutsch, Winter 1998, p. 194-200 and 244 (illustrated).
M. Peeters, "Dumas is geloofwaardiger dan ooit," NRC Handelsblad, 22 January 1998, p. 10.
R. Schumacher, "Cyber-sirenes en melkwitte bruidjes," Het Parool, 27 January 1998.
D. van den Boogerd, B. Bloom and M. Casadio, Marlene Dumas, London, 1999, p. 139 (illustrated on the front cover).
F. Jeursen, "Marlene Dumas, ja of nee," Kunstwerk, vol. 11, no. 5, November-December 1999), p. 40-41 (illustrated).
D. Ruyters, "Dumas' lach," Metropolis M, vol. 20, no. 6, December 1999-January 2020, p. 52-53 (illustrated).
B. Bloom, "Marlene Dumas," Flash Art, vol. 23, no. 219, December 1999-January 2020, p. 56-59 (illustrated).
C. Flohic, "Marlene Dumas," Eighty magazine, no. 32, 1999 p. 10-40 (illustrated).
H. den Hartog Jager, "Porno krijgt een vreemde draai: Overzichtstentoonstelling Marlene Dumas in Antwerpen," NRC Handelsblad, 27 October 1999, p. 11 (illustrated).M. Thamm, "Nog Hier, Nog Daar," Insig, August 2002, p. 58-60 (illustrated).
R. Stange, Women Artist in the 20th and 21st Century, Cologne, 2003, p. 108-113.
Rubell Family Collection, Not afraid: Rubell Family Collection, (collection catalogue) London, 2004, p. 197 (illustrated).
Marlene Dumas: Selected works, exh. cat., New York, Zwirner & Wirth, 2005, p. 8 (illustrated).
I. Bonacossa, Marlene Dumas: Supercontemporanea / Hypercontemporain, Milan/Paris, 2006, p. 58 (illustrated).
D. Garnett, "Fair Players: The Collector," The New York Times, 3 December 2006.
Marlene Dumas: Measuring Your Own Grave, exh. cat., New York, Museum of Modern Art and Los Angeles, Museum of Contemporary Art, 2008, pp. 114-115 and 254 (illustrated).
C. Bagley, "Dutch Master," W Magazine, June 2008, p. 148-155.
A. Pohlen, "Marlene Dumas: Schillernde Models und müde Müde Musen oder wie die Malerei den Blick in Verlegenheit bringt," Kunstforum International, no. 199, October-December 2009, p. 232-247 (illustrated).
M. Dumas, J. Costantino, "About Cover: Marlene Dumas - La pittrice del male. Film List. Su Antonioni," Rifrazioni Dal Cinema All 'Otre, vol. 4, no. 10, September 2012, p. 1-9 (illustrated).S. Morrisey, "Where the Girls Are: The Rubell Family Collection captures the moment with its first all-female show, No Man’s Land," Cultured, Winter 2015.
J Fargo, "No Man's Land review – Miami's Art Basel week kicks off with all-female show," The Guardian, 2 December 2015.
J. Deitch, A. Dean, J. Fateman and A. M. Gingeras, Unrealism: new figurative painting. New York, 2019.
J. Costantino, "Marlene Dumas e la pelle," La Mano Bruciata: Rubbettino Editore, 2021, p. 89-112 (illustrated).
J. Costantino, "Dirty woman and criminal baby. Marlene Dumas," Antinome, online, 5 February 2022 (illustrated).
E. van Alphen, "Hoe kleden we het kunstwerk aan? Bij het recente werk van Marlene Dumas," De Witte Raaf, May-June 1998, p. 12-13, no. 73.
D. Schwarze, "Damenwahl: Marlene Dumas und Andries Botha," Kunstverein + Kunsthalle: das Fridericianum Magazin, Autumn 1998, p. 28-31.
B. Skupin, "Zarte Wilde," Vogue Deutsch, Winter 1998, p. 194-200 and 244 (illustrated).
M. Peeters, "Dumas is geloofwaardiger dan ooit," NRC Handelsblad, 22 January 1998, p. 10.
R. Schumacher, "Cyber-sirenes en melkwitte bruidjes," Het Parool, 27 January 1998.
D. van den Boogerd, B. Bloom and M. Casadio, Marlene Dumas, London, 1999, p. 139 (illustrated on the front cover).
F. Jeursen, "Marlene Dumas, ja of nee," Kunstwerk, vol. 11, no. 5, November-December 1999), p. 40-41 (illustrated).
D. Ruyters, "Dumas' lach," Metropolis M, vol. 20, no. 6, December 1999-January 2020, p. 52-53 (illustrated).
B. Bloom, "Marlene Dumas," Flash Art, vol. 23, no. 219, December 1999-January 2020, p. 56-59 (illustrated).
C. Flohic, "Marlene Dumas," Eighty magazine, no. 32, 1999 p. 10-40 (illustrated).
H. den Hartog Jager, "Porno krijgt een vreemde draai: Overzichtstentoonstelling Marlene Dumas in Antwerpen," NRC Handelsblad, 27 October 1999, p. 11 (illustrated).M. Thamm, "Nog Hier, Nog Daar," Insig, August 2002, p. 58-60 (illustrated).
R. Stange, Women Artist in the 20th and 21st Century, Cologne, 2003, p. 108-113.
Rubell Family Collection, Not afraid: Rubell Family Collection, (collection catalogue) London, 2004, p. 197 (illustrated).
Marlene Dumas: Selected works, exh. cat., New York, Zwirner & Wirth, 2005, p. 8 (illustrated).
I. Bonacossa, Marlene Dumas: Supercontemporanea / Hypercontemporain, Milan/Paris, 2006, p. 58 (illustrated).
D. Garnett, "Fair Players: The Collector," The New York Times, 3 December 2006.
Marlene Dumas: Measuring Your Own Grave, exh. cat., New York, Museum of Modern Art and Los Angeles, Museum of Contemporary Art, 2008, pp. 114-115 and 254 (illustrated).
C. Bagley, "Dutch Master," W Magazine, June 2008, p. 148-155.
A. Pohlen, "Marlene Dumas: Schillernde Models und müde Müde Musen oder wie die Malerei den Blick in Verlegenheit bringt," Kunstforum International, no. 199, October-December 2009, p. 232-247 (illustrated).
M. Dumas, J. Costantino, "About Cover: Marlene Dumas - La pittrice del male. Film List. Su Antonioni," Rifrazioni Dal Cinema All 'Otre, vol. 4, no. 10, September 2012, p. 1-9 (illustrated).S. Morrisey, "Where the Girls Are: The Rubell Family Collection captures the moment with its first all-female show, No Man’s Land," Cultured, Winter 2015.
J Fargo, "No Man's Land review – Miami's Art Basel week kicks off with all-female show," The Guardian, 2 December 2015.
J. Deitch, A. Dean, J. Fateman and A. M. Gingeras, Unrealism: new figurative painting. New York, 2019.
J. Costantino, "Marlene Dumas e la pelle," La Mano Bruciata: Rubbettino Editore, 2021, p. 89-112 (illustrated).
J. Costantino, "Dirty woman and criminal baby. Marlene Dumas," Antinome, online, 5 February 2022 (illustrated).
Exhibited
Amsterdam, Galerie Paul Andriesse, Marlene Dumas: Miss World, January-February 1998.
Rotterman, Museum Boijmans Van Beuningen, Toile: Body (Re)presentations, June-August 1998 (illustrated on the front cover).
Kassel, Kasseler Kunstverein, Damenwahl / Dangerous Women & Defeated Men, October-November 1998.
Antwerp, Museum van Hedendaagse Kunst (MuHKA), Marlene Dumas 'MD', 1999-2000.
Miami, Rubell Family Collection, Euro-Centric, Part 1: New European Art from the Rubell Family Collection, 2007-2008.
Miami, Rubell Family Collection and Washington D.C., National Museum of Women in the Art, No Man's Land, December 2015-January 2017.
Miami, Rubell Family Collection, Inaugural Installation for New Campus, 2019-2020.
Miami, Rubell Family Collection, Collection Highlights, 2024.
Rotterman, Museum Boijmans Van Beuningen, Toile: Body (Re)presentations, June-August 1998 (illustrated on the front cover).
Kassel, Kasseler Kunstverein, Damenwahl / Dangerous Women & Defeated Men, October-November 1998.
Antwerp, Museum van Hedendaagse Kunst (MuHKA), Marlene Dumas 'MD', 1999-2000.
Miami, Rubell Family Collection, Euro-Centric, Part 1: New European Art from the Rubell Family Collection, 2007-2008.
Miami, Rubell Family Collection and Washington D.C., National Museum of Women in the Art, No Man's Land, December 2015-January 2017.
Miami, Rubell Family Collection, Inaugural Installation for New Campus, 2019-2020.
Miami, Rubell Family Collection, Collection Highlights, 2024.
Brought to you by
Isabella Lauria
Senior Vice President, Senior Specialist, Head of 21st Century Evening Sale