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'Cabbage Chair' (mixed) designed for Issey Miyake, 2008

Details
NENDO
'Cabbage Chair' (mixed) designed for Issey Miyake, 2008
resin-coated pleated paper
26 ½ x 29 ½ x 29 ½ in. (67.3 x 75 x 75 cm)
Provenance
Friedman Benda, New York
Acquired from the above by the present owner
Literature
I. Miyake, XXI c. - XXIst Century Man, exh. cat., 21_21 Design Sight, Tokyo, 2008, p. 55
O. Sato, F. Schulze, R. Klanten, A. Carnick and A. A. Kotmair, Nendo 10⁄10, Berlin, 2013, pp. 66-69, 315
Exhibited
New York, Friedman Benda, Ghost Stories, February - April 2009
Further Details
Other examples of this model can be found in the permanent collections of the Cooper Hewitt, Smithsonian Design Museum, New York (inv. no. 2009-9-1); the Victoria and Albert Museum, London (accession no. W.22-2011); M+, Hong Kong (inv. no. 2015.45); the Museum of Modern Art, New York (inv. no. 1785.2008.1-2); the Art Institute of Chicago (inv. no. 2011.276); and the San Francisco Museum of Modern Art (inv. no. 2013.135).

Brought to you by

Victoria Allerton Tudor
Victoria Allerton Tudor Vice President, Specialist, Head of Sale

Lot Essay

The 'Cabbage Chair' was designed for the XXIst Century Man exhibition curated by Issey Miyake to commemorate the first anniversary of 21_21 Design Sight in Roppongi, Tokyo. The fashion designer asked Nendo to create furniture from the pleated paper that is produced in mass amounts when pleated fabric is made, and which is usually discarded as an unwanted by-product.

Nendo transformed rolls of pleated paper into small chairs that emerge naturally as the paper is peeled away, one layer at a time. Resins added during the original paper production process add strength and the ability to retain forms, while the pleats themselves give the chair elasticity and a springy resilience. The overall effect looks almost rough, but gives a contrasting soft and comfortable seating experience. With no internal structure, additional finish or assembly materials needed, the primitive design of the 'Cabbage Chair' responds gently to fabrication costs and environmental concerns while also fitting active, optimistic and progressive 'twenty-first century' people.

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