PAUL CAMILLE GUIGOU (VILLARS 1834-1871 PARIS)
PAUL CAMILLE GUIGOU (VILLARS 1834-1871 PARIS)
PAUL CAMILLE GUIGOU (VILLARS 1834-1871 PARIS)
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PAUL CAMILLE GUIGOU (VILLARS 1834-1871 PARIS)

Hut by the sea shore (Cabane au bord de la mer)

Details
PAUL CAMILLE GUIGOU (VILLARS 1834-1871 PARIS)
Hut by the sea shore (Cabane au bord de la mer)
signed & dated 'Paul Gigou. 69' (lower right)
oil on canvas
13 x 21 5⁄8 in. (33 x 55 cm.)
Provenance
Anonymous sale; Christie's, London, 9 April 1976, lot 108.
Anonymous sale; Ader, Picard et Tajan, Paris, 8 March 1986, lot 33.
Mr. and Mrs. Edward Snider, by 1991.
with Richard L. Feigen & Co., New York.
Anonymous sale; Christie's, New York, 6 May 1998, lot 149, where acquired by the present owner.
Literature
Fred van Braam, 1975, vol. XXVIII, p. 131
The Connoisseur, 1975-76
S. Lamort de Gail, Paul Guigou: catalogue raisonné, Paris 1989, vol. I, p. 130, no. 158, illustrated.
Exhibited
Philadelphia, Philadelphia Museum of Art, By the Sea: Eugene Boudin and His Impressionist Friends, 13 July-1 September 1991 (lent by Mr. and Mrs. Edward Snider)

Brought to you by

Alastair Plumb
Alastair Plumb Senior Specialist, Head of Sale, European Art

Lot Essay

Guigou was a self-taught artist who had trained as a notary before dedicating himself to his painting. A legal apprenticeship brought him to Marseille in 1853-1854 and his earliest paintings depict the environs of this town and show him working early on en plein air. His sketches attracted the attention of Emile Loubon who was director of the Ecole des Beaux-Arts and, through him, Guigou met Monticelli and began to exhibit in the Société Artistiques des Bouches-du-Rhone. In 1860 he moved to Paris and concentrated on his paintings.
Guigou exhibited in the Salon from 1863-1870, and posthumously in 1872. In 1868, the year before he painted Hut by the Sea Shore, Guigou was singled out along with Camille Pissarro for the quality of his work in the Salon by Jules Castagnary. This same year he received a bronze medal at the Exposition Internationale du Havre to which Courbet, Manet, Monet and Boudin had also sent paintings. In 1869, he was introduced to Thodore Duret, a leading advocate for the future Impressionists. While Guigou was never formally associated with the group, his paintings show him independantly focusing on some of the same concerns, working en plein air and using fluid technique to capture the impression of the moment. He found inspriration in the environs of the south of France and painted several views of Martigues and Marseille in 1869.

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