A COMPANY SCHOOL ALBUM OF INDIAN DEITIES
A COMPANY SCHOOL ALBUM OF INDIAN DEITIES
A COMPANY SCHOOL ALBUM OF INDIAN DEITIES
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A COMPANY SCHOOL ALBUM OF INDIAN DEITIES
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A COMPANY SCHOOL ALBUM OF INDIAN DEITIES

ASCRIBED TO CHEVALIER LOUIS-CHARLES ARTAUD DE BEAUVILLETTE, PROBABLY BENGAL, INDIA, DATED 1790

Details
A COMPANY SCHOOL ALBUM OF INDIAN DEITIES
ASCRIBED TO CHEVALIER LOUIS-CHARLES ARTAUD DE BEAUVILLETTE, PROBABLY BENGAL, INDIA, DATED 1790
Comprising 53 paintings of Hindu deities in opaque pigments heightened with gold on paper, each within a single black rule, identificatory inscription in Latin script below, pasted into an album, each folio with protective fly-leaf, the opening folio titled 'MYTHOLOGIE ICONOLOGIQUE DES BRAMES' and dated 'M.D.CC.XC' in black ink, f2. with a description of the contents in neat black French, three fly-leaves, the second opening fly-leaf with a later handwritten note on the author, gilt stamped green morocco binding with paper doublures
Paintings 6 x 3 7⁄8 in. (15.2 x 9.8cm.); folio 12 3⁄8 x 8 1⁄8 in. (31.5 × 20.5cm)
Provenance
Chevalier Louis Charles Artaud de Beauvillette (d.1792),
Jacques-Henri Bernardin de Saint-Pierre
Livres précieux manuscrits et imprimés anciens et modernes, Hotel Drouot, Paris, 1892, lot 19

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Lot Essay

According to the note written in the front of the manuscript by Bernardin de Saint Pierre, these paintings were created by Chevalier Louis-Charles Artaud de Beauvillette (d.1792). He was sent to Bengal by King Louis XVI, likely in an unsuccessful attempt to curb the expansion of the British East India Company in the aftermath of the Battle of Plassey in 1757.

In addition to albums of north Indian monuments (see the following lot) albums of Company School paintings of Hindu deities were popular amongst European travellers to India. These were most often produced in South India in the 19th century (British Museum, 1993,0806,0.30 and Victoria and Albert Museum, 4664:13/(IS)). This lot is a rare example of such an album from North East India but it is particularly notable because it has been attributed to Chevalier Beauvillette himself, rather than being painted by an Indian artist, and it predates many of the other known examples of this type of album.

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