CAMILLE PISSARRO (1830-1903)
CAMILLE PISSARRO (1830-1903)
CAMILLE PISSARRO (1830-1903)
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A LIFE OF DISCERNING PASSIONS: THE COLLECTION OF H. RODES SR. AND PATRICIA HART
CAMILLE PISSARRO (1830-1903)

Marché à Pontoise, Boulevard des Fossés

Details
CAMILLE PISSARRO (1830-1903)
Marché à Pontoise, Boulevard des Fossés
signed and dated 'C Pissarro 81' (lower right)
gouache on silk laid down on paper
10 x 7 7⁄8 in. (25.2 x 20.2 cm.)
Painted in 1881
Provenance
Galerie Durand-Ruel et Cie., Paris (acquired from the artist, October 1881).
Léon & Gustave Bollag (Salon Bollag), Zurich (acquired from the above, February 1918).
Anon. sale, Salon Bollag, Zurich, 3 April 1925, lot 172.
Galerie Henneberg, Zurich.
Max G. Bollag, Zurich; sale, Sotheby & Co., London, 4 December 1974, lot 54.
Anon. sale, Sotheby Parke Bernet & Co., London, 26 June 1984, lot 8.
Acquired at the above sale by the late owners.
Literature
G. Lecomte, L'Art impressionniste d'après la collection privée de M. Durand-Ruel, Paris, 1892, p. 85.
L.R. Pissarro and L. Venturi, Camille Pissarro, Son artson oeuvre, Paris, 1939 vol. I, p. 267, no. 1346 (illustrated, vol. II, pl. 263).
Exhibited
Paris, Salons du Panorama de Reichshoften, 7ème Exposition des artistes indépendants, March 1882, p. 3, no. 128.
(possibly) Paris, Galerie Durand-Ruel et Cie., Exposition des oeuvres de C. Pissarro, May 1883, no. 26.
Paris, Galerie Durand-Ruel et Cie., Camille Pissarro, February 1892, no. 53 (titled Retour du marché).
Paris, Galerie Durand-Ruel et Cie., Tableaux et gouaches par Camille Pissarro, January 1910, p. 7, no. 67 (dated 1884 and titled Le retour du marché).
Further details
This work will be included in the forthcoming Camille Pissarro digital catalogue raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc.

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Lot Essay

In Marché à Pontoise, Boulevard des Fossés, Pissarro offers a vivid portrayal of a local market in a provincial town. Having lived in Pontoise for over a decade, he developed a deep understanding of the community’s rhythms, which he repeatedly captured in his work. This gouache exemplifies his enduring interest in depicting peasants engaged in everyday market activities. While reflecting the broader Impressionist commitment to portraying contemporary life, Pissarro’s treatment elevates these peasants from mere laborers to integral members of the town’s social fabric, positioning them on equal footing with the urban figures commonly depicted by his fellow Impressionists.
Pissarro’s significance within the Impressionist movement is further emphasized by his unique participation in all eight Impressionist exhibitions. The present work was included in the seventh exhibition in 1882, during which more than half of his thirty-six submissions featured rural laborers, many drawn from his Pontoise market series.
Acquired directly from the artist by the esteemed dealer Paul Durand-Ruel in 1881, this gouache was included in several exhibitions he curated. It later entered the private collection of H. Rodes Sr. and Patricia Hart, where it has remained for over four decades.

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