WILLIAM JAMES WEBBE (CORNWALL ?1830-?1911 SURREY)
WILLIAM JAMES WEBBE (CORNWALL ?1830-?1911 SURREY)
WILLIAM JAMES WEBBE (CORNWALL ?1830-?1911 SURREY)
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WILLIAM JAMES WEBBE (CORNWALL ?1830-?1911 SURREY)

Pigeon and Nestlings

Details
WILLIAM JAMES WEBBE (CORNWALL ?1830-?1911 SURREY)
Pigeon and Nestlings
signed and dated 'WJW 1856' (lower left) and signed and inscribed 'No. 3 Pigeon and Nestlings/by W. J. Webb/Liverpool/Niton, Isle of Wight' (on a label on the reverse)
oil on panel
14 7⁄8 x 11 7⁄8 in. (37.8 x 30.2 cm.)
Provenance
Francis James Porcher, Charleston, South Carolina, circa 1821-1872.
Private Collection, Charleston, South Carolina.
Brunk Auctions, Asheville, North Carolina, 29 May 2025, lot 516, where purchased by the present owner.
Exhibited
Liverpool, Liverpool Academy's Thirty-fourth Exhibition, 1858, no. 825.

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Lucy Speelman
Lucy Speelman Junior Specialist, Head of Day Sale

Lot Essay

This beautifully observed study of a Pigeon and her nesting young was executed the same year as Webbe’s celebrated White Owl. This was shown at the Royal Academy in 1856 and was sold at Christies’ London on 13 December 2012, lot 9 (£589, 250). Webbe’s owl was not only rapturously received in the sale room, but praised by Ruskin when it was first exhibited as evidence of a `rising school’ of Pre-Raphaelitism spreading beyond the Brotherhood. Trained in Dusseldorf, and hence familiar with the detail and finish of the Nazarene school, Webbe was a great admirer of Holman Hunt. Like Hunt he travelled to the Holy Land. This picture was executed in the relative seclusion of Niton, on the Isle of Wight.

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