REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Old Man shading his Eyes with this Hand

Details
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Old Man shading his Eyes with this Hand
etching and drypoint
circa 1639
on laid paper, without watermark
a very fine impression of the first state (of three)
printing sharply, with good inky relief and a light plate tone
with narrow margins
in very good condition
Plate 137 x 114 mm.
Sheet 139 x 116 mm.
Provenance
Unidentified, inscribed in pencil Heaton C./2. (?) (not in Lugt).
Unidentified, letters Oa in pencil verso (not in Lugt).
With Ira Gale, Zug.
Sam Josefowitz (Lugt 6094; on the support sheet recto); acquired from the above in 1970; then by descent to the present owners.
Literature
Bartsch, Hollstein 259; Hind 169; New Hollstein 175 (this impression cited)
Stogdon p. 319

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Stefano Franceschi
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Lot Essay

There has been much speculation as to why Rembrandt left this print unfinished, unsigned and undated. He focused entirely on the sitter's hat, face, arm and hand, then scribbled a few outlines of the rest of his figure and garments - and stopped. Perhaps Rembrandt felt he had captured the moment and the effects that interested him. Alternatively, the rationale may have been more commercial in nature.
Although not common in fine, early examples, impressions of this print are not - as one might think at first glance - extremely rare trial proofs or pulls from a discarded plate. Rather, they were printed by Rembrandt in considerable numbers, a clear indication that there was a market for such printed 'sketches' and that some discerning collectors specifically sought out early proofs and first states. Leaving the plate seemingly unfinished thus added to its desirability.

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