Details
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Goldsmith
etching and drypoint
1655
on laid paper, without watermark
a very fine, atmospheric impression of the first state (of three)
printing warmly and richly, with great contrasts and depth
with touches of burr in places
with small margins
generally in very good condition
Plate 78 x 58 mm.
Sheet 80 x 62 mm.
Provenance
Sotheby's, London, 17 June 1983, lot 663 (together with the counterproof, see following lot).
Sam Josefowitz (Lugt 6094); acquired at the above sale (through Laube); then by descent to the present owners.
Literature
Bartsch, Hollstein 123; Hind 285; New Hollstein 289 (this impression cited)
Stogdon 62

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Stefano Franceschi
Stefano Franceschi Specialist

Lot Essay

The present impression is a fine example of this gentle interior scene of an artist at work. This small, cameo-like work displays a delicate interplay of light in a dark room, lit on the left by the fire and by a window on the right. It shows an elderly metalworker secluded in his foundry, surrounded by the tools of his trade, with the hooded forge glowing in the background. He is standing at his bench, working on a substantial Caritas group, presumably made of gilt bronze. The tenderness with which he holds the sculpture is almost an allegory for an artist's attachment to his craft, and one can easily imagine Rembrandt handling the plate on which this was etched with the same affection.

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