HENRY WALTON (DICKLEBURGH 1746-1813 LONDON)
HENRY WALTON (DICKLEBURGH 1746-1813 LONDON)
HENRY WALTON (DICKLEBURGH 1746-1813 LONDON)
2 More
HENRY WALTON (DICKLEBURGH 1746-1813 LONDON)

Portrait of Harriet Fuller, née Carter (1753-1803) with her son Edward (1782-1856) pushing a wheelbarrow, small-length, in a garden

Details
HENRY WALTON (DICKLEBURGH 1746-1813 LONDON)
Portrait of Harriet Fuller, née Carter (1753-1803) with her son Edward (1782-1856) pushing a wheelbarrow, small-length, in a garden
oil on canvas
30 x 25 in. (76.2 × 63.5 cm.)
Provenance
By descent in the sitters’ family to Edward Fuller, Carlton Hall, by whom gifted to,
R.C. Mayhew, Saxmundham, Suffolk, and by descent until acquired by,
Sir Charles Tennant (1823-1906), Bt., London.
with M. Knoedler, New York, where acquired by,
Mrs. John E. Rovensky; her sale, Parke-Bernet, New York, 16 January 1957, lot 446, as 'Maria Cosway', where acquired by,
Mrs. George Crawford, for her daughter, Martha Crawford.
[The Property of a Private Collection]; Sotheby's, New York, 28 October 1988, lot 7.
with Leger Galleries, London, by 1989,
Acquired by Irene Roosevelt Aitken, née Boyd (1931-2025) and Russell Barnett Aitken (1910-2002) from the above.
Literature
C. Morland Agnew, Catalogue of the Pictures forming the Collection of Sir Charles Tennat, Bart., London, 1896, illustrated, as Maria Cosway.

Brought to you by

Elizabeth Seigel
Elizabeth Seigel Vice President, Specialist, Head of Private and Iconic Collections

Lot Essay

Henry Walton trained under Johann Zoffany (1733-1810), one of the most influential artists of the period, and worked in London, exhibiting paintings at the Royal Academy from 1776. In 1779, Walton moved to Suffolk where he continued to paint for local patrons. It was presumably during this period that he painted this charming double portrait of Mrs. Fuller and her son.

Zoffany’s influence on Walton’s work is clearly evident in this double portrait. In the 1760s and 1770s, Zoffany had successfully revived a genre that had been pioneered and become popular in the early 18th century: the ‘Conversation Piece’. He produced numerous small-scale group portraits, often set in landscape settings, and brought a fresh naturalism and intimacy to the genre, replacing its earlier formality. Walton’s informal portrayal of a mother and son aligns closely with this tradition. The sitters are simply yet elegantly dressed and positioned within an expansive landscape, recalling many of Zoffany’s own compositions.

Osborne Fuller (1711-1794) of Carlton House, Saxmundham, married four times. His last wife Harriet was the daughter of the Reverend James Carter, rector of Relsale, in 1783. Their son, Edward Fuller, was born in 1782 and became High Sheriff and Deputy Lieutenant of Suffolk. He married in 1810 and died in Brighton in 1856.

More from Irene Roosevelt Aitken: The Dining Room and British Paintings

View All
View All