ROBERT SCOTT DUNCANSON (1821-1872)
ROBERT SCOTT DUNCANSON (1821-1872)
ROBERT SCOTT DUNCANSON (1821-1872)
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ROBERT SCOTT DUNCANSON (1821-1872)
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PROPERTY FROM THE COLLECTION OF ROBERT AND FAYE DAVIDSON
ROBERT SCOTT DUNCANSON (1821-1872)

Canadian Landscape

Details
ROBERT SCOTT DUNCANSON (1821-1872)
Canadian Landscape
signed and dated 'Duncanson./1865' (lower right)
oil on canvas
30 x 50 in. (76.2 x 127 cm.)
Painted in 1865.
Provenance
Private collection, Denver, Colorado.
Ira Spanierman Gallery, New York, 1987.
Cincinnati Art Galleries, Cincinnati, Ohio, 1987.
Private collection, Atlanta, Georgia, acquired from the above, 1988.
Manoogian Collection, Taylor, Michigan.
Roger King Fine Art, Newport, Rhode Island.
Acquired by the present owners from the above, 1995.
Literature
J.D. Ketner, The Emergence of the African-American Artist: Robert S. Duncanson, 1821-1872, Columbia, Missouri, 1993, pp. 147, 149, fig. 90, illustrated.

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Lot Essay

Lauded by his contemporaries as the “best landscape painter in the West,” Robert Duncanson was among the first African American artists to earn international acclaim, establishing a celebrated career that overcame the harsh realities of Black life in Civil War era America (Daily Cincinnati Gazette, May 30, 1861, p. 3). During the war, Duncanson left the United States, traveling to Canada, where he stayed for several years. There, he played an integral role in establishing a national school of painting and executed numerous stunning works, including the present example. Painted in 1865, while Duncanson was living in Montreal, Canadian Landscape depicts an idealized, craggy terrain complete with flowing waters and shining light, an evocation of the safe haven that the country became in times of strife at home.

The present work aligns with Duncanson’s earlier landscapes, characterized by a sense of peace and tranquility. An unspoiled and idyllic earthly paradise, Canadian Landscape communicates a sense of artistic reinvigoration upon Duncanson’s arrival to Canada and simultaneously builds upon the skill and success that he initially established in Ohio. As Joseph D. Ketner writes, “Duncanson was the first African-American artist to appropriate the landscape as part of his cultural heritage and as an expression of his cultural identity.” (Robert S. Duncanson (1821-1872), Columbia, Missouri, 1993, p. 1) Having integrated into the artistic community in Canada, Duncanson creates a poignant and masterful image that at once acknowledges the beauty of his temporary home and the tumultuous state of his native land.

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