CIRCLE OF JOSEPH-MARIE VIEN (MONTPELLIER 1716-1809 PARIS)
CIRCLE OF JOSEPH-MARIE VIEN (MONTPELLIER 1716-1809 PARIS)
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Property from a Private Collection, California
CIRCLE OF JOSEPH-MARIE VIEN (MONTPELLIER 1716-1809 PARIS)

Portrait of the painter Barbault as standard-bearer during the Turkish Masquerade of 1748

Details
CIRCLE OF JOSEPH-MARIE VIEN (MONTPELLIER 1716-1809 PARIS)
Portrait of the painter Barbault as standard-bearer during the Turkish Masquerade of 1748
red chalk, chalk framing lines
18 ¾ x 13 5⁄8 in. (47.3 x 34.7 cm)
Provenance
probably Adolf Moss (1829-1928), Arnhem; De Vries, Amsterdam, 7-8 November 1928, lot 656 (as Joseph-Marie Vien).
John G. Troche, San Francisco.
Literature
P. Rosenberg, 'Jean Barbault', Arte Illustrata, V, 1972, p. 251, note 11, ill. (as French School 18th Century).
French Master Drawings of the 17th and 18th centuries, exhib. cat., Toronto, Art Gallery of Ontario, Ottawa, National Gallery of Canada, San Francisco, Legion of Honor, New York , New York Cultural Center, 1972-1973, pp. 219, under no. 144.
N. Volle and P. Rosenberg, Jean Barbault (1718-1762), exhib. cat., Beauvais, Musée départemental de l’Oise, Angers, Musée des Beaux-Arts, Valence, Musée des Beaux-Arts, 1974-1975, no. 18, ill.
M. Roland-Michel, ‘Un problème d’attribution pour un dessin du Musée des Beaux-Arts, propos de la Mascarade du sultan à la Mecque, 1748’, Bulletin de musées et monuments lyonnais, V, no. 2 (1975), p. 315.
J.-L. de Los Llanos, Fragonard et les dessins français au XVIIIe siècle dans les collections du Petit Palais, exhib. cat., Paris, Petit Palais,1992-1993, p. 49, under no. 12.

Brought to you by

Giada Damen, Ph.D.
Giada Damen, Ph.D. AVP, Specialist, Head of Sale

Lot Essay

The painter Jean Barbault, portrayed here posing as a model in Oriental costume, was a resident at the French Academy in Rome when, on the occasion of the carnival of 1748, the students of the Academy organized a sumptuous celebration entitled the Caravanne du Sultan à la Mecque. The twelve residents of the Academy participated in the masquerade themselves and also depicted the various characters in elaborate costumes. According to the director of the Academy, Jean-François de Troy, ‘each [of the artists] made separate drawings that could serve as studies for the costumes of the Orientals, which conformed to all the characteristics of the characters they represented with great accuracy’ (A. de Montaiglon and J. Guiffrey, Correspondance des Directeurs de l'Académie de France à Rome, Paris, 1910, X, p. 146, March 27, 1748). A large number of drawings, paintings and engravings by the different residents survive. Indeed, at least five series of drawings depicting characters from the Caravanne have now been identified, including those by Joseph-Marie Vien, who also made engravings, and those by Jean Barbault himself, who also created paintings after the masquerade (de Los Llanos, op. cit., p. 42 ). It is difficult to distinguish the hands of the authors of the other three drawn series, which are therefore currently designated as series A, B, and C (see Volle and Rosenberg, op. cit.).

The present drawing belongs to series B and depicts Barbault in the costume of a Standard bearer. The same character is portrayed in a drawing by Joseph-Marie Vien at the Petit Palais (inv. Dut. 1071; T. Gaehtgens, J. Lugand, Joseph-Marie Vien (1716-1809), Paris, 1988, no. 21), in an engraving by Vien (ibid., p. 282, no. 6), and in a drawing from Series A at the Museum of Fine Arts in Boston (inv. 62.619; Volle and Rosenberg, op. cit., no. 17) which was at one time attributed to Guillaume Voiriot. There are several differences between the versions of the same figure. In the present drawing, for example, the figure holds a short sabre while in the others he has a long standard.

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