MAX KLINGER (1857-1920)
MAX KLINGER (1857-1920)
MAX KLINGER (1857-1920)
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MAX KLINGER (1857-1920)
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MAX KLINGER (1857-1920)

Ein Handschuh - Opus VI

Details
MAX KLINGER (1857-1920)
Ein Handschuh - Opus VI
the complete set of ten etchings
1878-80
on cream wove paper
the final states, with the engraved name of the artist
fourth, final edition of unknown size, published by the artist, Leipzig, 1898, printed by W. Felsing, Berlin
with the original title and contents page
the full sheets
in very good condition
Plates 25,1 x 34,5 cm. (9 7⁄8 x 13 5⁄8 in.) (and smaller)
Sheets 43,9 x 59,8 cm. (17 ¼ x 23 1⁄2 in.) (and similar)
Overall 46,8 x 63 cm. (18 3⁄8 x 24 ¾ in.) (portfolio)(10)
Literature
H. Singer, Max Klinger: Radierungen, Stiche und Steindrucke 1878-1903, San Francisco, 1991, 113-122, pp. 40-44.
Exhibited
Hamburg, Hamburger Kunsthalle, Verhext - Phantastische Graphik aus der Sammlung Hegewisch, November 1997 - April 1998 (no cat.).

Brought to you by

Zack Boutwood
Zack Boutwood Cataloguer

Lot Essay

Max Klinger's Der Handschuh recounts in ten very precise etchings without text the enchanting story of a young man, presumably the artist himself, finding a lady's white glove on a roller skating rink, and becoming obsessed with it and the allure of its owner. In his dreams or imagination, the fetishised glove takes on a life of its own, grows to monstrous proportions and is pursued by a dragon, who ultimately flies off with it and takes it to the ethereal realm of Eros, personified by a cupid with insect wings. It is the most elegant and perplexing of Max Klinger's fantastical visual poems, anticipating many of the preoccupations of surrealism, decades before the term was coined.

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