A BRONZE RITUAL TRIPOD FOOD VESSEL, DING
A BRONZE RITUAL TRIPOD FOOD VESSEL, DING
A BRONZE RITUAL TRIPOD FOOD VESSEL, DING
A BRONZE RITUAL TRIPOD FOOD VESSEL, DING
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Early Chinese Bronzes from the Shouyang Studio
A BRONZE RITUAL TRIPOD FOOD VESSEL, DING

LATE SHANG DYNASTY, 13TH-11TH CENTURY BC

Details
A BRONZE RITUAL TRIPOD FOOD VESSEL, DING
LATE SHANG DYNASTY, 13TH-11TH CENTURY BC
The interior of the vessel is cast with a two-character inscription reading Fu Rong, which may be translated as 'Rong [made this vessel] for Fu [clan]'.
6 5⁄16 in. (16.1 cm.) high, softwood stand, hardwood box
Provenance
Christie's New York, 26 March 2003, lot 152.
The Shouyang Studio, New York.
Literature
Minao Hiyashi, In Shu Jidai Seidoki no Kenkyu (Conspectus of Yin and Zhou Bronzes), vol. I, Tokyo, 1984, p. 49, no. 27.
Zhou Ya, Ma Jinhong, and Hu Jialin ed., Ancient Chinese Bronzes from the Shouyang Studio: The Katherine and George Fan Collection, Shanghai, 2008, pp. 54-6, no. 15.
Ancient Chinese Bronzes from the Shouyang Studio: The Katherine and George Fan Collection, Ningbo, 2009, p. 10.
Wu Zhenfeng, Shangzhou qingtongqi mingwen ji tuxiang jicheng (Compendium of Inscriptions and Images of Bronzes from the Shang and Zhou Dynasties), vol. 1, Shanghai, 2012, p. 478, no. 00611.
Luo Xinhui, Shouyang Jijin Shuzheng (Textual Research of Inscriptions from Bronze Collection of The Shouyang Studio), Shanghai, 2016, pp. 4-8, no. 2.
Exhibited
Ancient Chinese Bronzes from the Shouyang Studio: The Katherine and George Fan Collection, October 2008 - January 2011: Shanghai, Shanghai Museum; Hong Kong, Art Gallery, The Chinese University of Hong Kong; Ningbo, Ningbo Museum; Chicago, Art Institute of Chicago, no. 15.

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Lot Essay

This elegant ding is raised on three legs cast in the shape of dragons with curved tails and gaping mouths that grasp the shallow, round bowl. The exterior of the bowl is cast with a broad band of three pairs of dragons shown in profile, each of which is confronted on a central flange to form an animal mask.

Hayahi Minao included the current ding in his seminal publication Inshu-jidai seidoki-monyo no kenkyu (Studies on Yin and Zhou Bronze Decoration: A Conspectus of Yin and Zhou Bronze Vessels), vol. I, Tokyo, 1986, no. 27, where he dated it to the early Western Zhou period. However, the discovery of a closely related ding of similar shape and decoration, but with a different inscription reading Pi Wei, from burial M269 at Qijiazhuang, Anyang, Henan province, which has been dated to the third phase of the Yin Ruins (Yinxu) period, suggests a more likely dating of the current ding to the late Shang period. See Meng Xianwu, Tomb No. 269 at Qijiazhuang, Yinxu Site, Acta Archaeologica Sinica (Kaogu Xuebao), 1991.3, pl. 10:4. Ding with flat legs continued into the Western Zhou period, as evidenced by several unearthed at Changzikou, Taiqinggong, Luyi, Henan province, illustrated in Henansheng Wenwu Kaogu Yanjiusuo and Zhoukoushi Wenhuaju ed., Changzikou Tombs at Taiqinggong, Luyi, 2000, col. pls. 19, 20 and 21. The bowls of the Changzikou ding are shallower than that of the Shouyang Studio ding and are decorated with two bands of leiwen patterns.

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