ANDREW WYETH (1917-2009)
ANDREW WYETH (1917-2009)
ANDREW WYETH (1917-2009)
ANDREW WYETH (1917-2009)
3 More
PROPERTY FROM THE PICK-HINES COLLECTION
ANDREW WYETH (1917-2009)

Smoke House

Details
ANDREW WYETH (1917-2009)
Smoke House
watercolor on paper
21 ¼ x 29 ¼ in. (54 x 74.3 cm.)
Executed in 1959.
Provenance
Mrs. Clarence B. Petty, by 1962.
Coe Kerr Gallery, New York.
Frances W. Pick, Glencoe, Illinois, by 1988.
By descent to the present owner from the above.
Literature
H.C. Pitz, The Brandywine Tradition, New York, 1968, n.p., illustrated.
Exhibited
Buffalo, New York, Buffalo Fine Arts Academy, Albright-Knox Art Gallery, Andrew Wyeth: Temperas, Watercolors and Drawings, November 2-December 9, 1962, p. 13, no. 81.
Further details
The Andrew & Betsy Wyeth Study Center of the Brandywine Museum of Art confirms that this object is recorded in Betsy James Wyeth’s files.

Brought to you by

Quincie Dixon
Quincie Dixon Associate Specialist, Head of Sale

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

For over half a century, Andrew Wyeth's art has proven to be the most enduring of any American Realist and has brought the artist acclaim both at home and abroad. His work has been appreciated for its seeming simplicity and its sheer beauty, for its celebration of rural American life, and for the haunting, elegiac silence that often pervades his compositions, such as Smoke House. Susan C. Larsen writes, "Andrew Wyeth generally offered mystery rather than certainty in his art. The power of the unseen at work in nature and in human life gives his art its power and unique presence." (Wondrous Strange, exhibition catalogue, New York, 1998, p. 18) Indeed, the present work demonstrates Wyeth’s exquisite attention to subject and technique, culminating in an quiet scene of poignant beauty.

Depicting a basket of apples in the orchard of the artist's father N.C. Wyeth in Chadds Ford, Pennsylvania, Smoke House is devoid of a physical human presence, but, like many of Wyeth's works, carries a strong sense of unseen life. While we cannot see the artist, his gaze pervades the stillness of the scene. The nuances of this deceptively simple painting are further rendered with incredible artistry and painterly sophistication. Through the skillfully layered application of watercolor, Wyeth lends a tangible quality of life and texture to the landscape that he loved.

More from Modern American Art

View All
View All