A RARE YELLOW-GROUND UNDERGLAZE-BLUE AND IRON-RED-DECORATED 'PEONY' DOUBLE-GOURD VASE
A RARE YELLOW-GROUND UNDERGLAZE-BLUE AND IRON-RED-DECORATED 'PEONY' DOUBLE-GOURD VASE
A RARE YELLOW-GROUND UNDERGLAZE-BLUE AND IRON-RED-DECORATED 'PEONY' DOUBLE-GOURD VASE
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The Ai Lian Tang Collection
A RARE YELLOW-GROUND UNDERGLAZE-BLUE AND IRON-RED-DECORATED 'PEONY' DOUBLE-GOURD VASE

JIAJING SIX-CHARACTER MARK IN UNDERGLAZE BLUE WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1522-1566)

Details
A RARE YELLOW-GROUND UNDERGLAZE-BLUE AND IRON-RED-DECORATED 'PEONY' DOUBLE-GOURD VASE
JIAJING SIX-CHARACTER MARK IN UNDERGLAZE BLUE WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1522-1566)
8 1⁄2 in. (21.5 cm.) high, boxes
Provenance
Sold at Sotheby's London, 1-2 April 1974, lot 224
Sold at Sotheby's Hong Kong, 28-29 November 1978, lot 102
Toguri Museum of Art Collection, Tokyo
Sold at Sotheby's London, 100 Selected Chinese and Korean Ceramics from the Toguri Collection, 9 June 2004, lot 37
Literature
The Chinese University of Hong Kong, Exhibition of Ancient Chinese Ceramics from the Collection of the Kau Chi Society of Chinese Art in Association with the Art Gallery, Hong Kong, 1981, no. 100
Toguri Museum of Art, Commemorative Exhibition for the Opening, Tokyo, 1987, p. 39, no. 23
Fujio Nakazawa, Chinese Ceramics in the Toguri Museum of Art’, Orientations, April 1988, p. 50, fig. 13
Zaidan Hojin Toguri Bijutsukan zohin senshu: Seireki 2000 nen kinen zuroku (Selected Works from the Toguri Art Museum Foundation: Commemorative catalogue of the year 2000 AD), Tokyo, 2000, pl. 31
Exhibited
Hong Kong, The Chinese University of Hong Kong, Exhibition of Ancient Chinese Ceramics from the Collection of the Kau Chi Society of Chinese Art in Association with the Art Gallery, 19 December 1981- 18 February 1982, cat. no. 100
Tokyo, Toguri Museum of Art, Commemorative Exhibition for the Opening, 1987, cat. no. 23

Brought to you by

Ruben Lien (連懷恩)
Ruben Lien (連懷恩) VP, Senior Specialist

Lot Essay

According to Daoist, double gourds have served as vessels for concocting and storing elixirs of immortality. During the Jiajing reign, the imperial kilns produced vases of such shape in great quantity, directly reflecting the emperor's profound Daoist faith and personal pursuit of eternal life. Most Jiajing examples are decorated in underglaze blue, the present lot is exceptionally rare with additional yellow and iron-red enamel. Its complexity of manufacture likely accounts for its rarity: the underglaze-blue floral scrolls were first fired at a high temperature, after which the yellow was applied and fired at a lower temperature, followed by the iron-red details of the peonies in a third firing. This process not only demonstrates technical virtuosity but also resonates with Daoist cosmological principles aligning colour with the five elements.

Comparable examples include two vases in the British Museum, illustrated in Harrison-Hall, Ming Ceramics, 2001, pls. 9:88 and 9:89. A nearly identical vase, formerly in the Ataka Collection, is in the Osaka Museum of Oriental Ceramics, accession no. 805. Another related example from the Ise Collection was sold at Sotheby's Hong Kong, 9 September 2025, lot 5054.

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