XU LEI (B. 1963)
XU LEI (B. 1963)
XU LEI (B. 1963)
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XU LEI (B. 1963)
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XU LEI (B. 1963)

Empty Word-Tree

Details
XU LEI (B. 1963)
Empty Word-Tree
Scroll, mounted and framed, ink and color on paper
Signed
Executed in 2000
19 ¾ x 25 5⁄8 in. (50 x 65 cm.)
Provenance
No. 55 Art Space, Beijing, China, 27 January 2016.
Literature
Xu Lei, Beijing, 2013, p. 153.

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Michelle Cheng (鄭玉京)
Michelle Cheng (鄭玉京) Senior Specialist, Head of Private Sales, SVP

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Lot Essay

Empty Word – Tree reflects Xu Lei’s ongoing exploration of visual paradoxes and the instability of meaning. Bathed in delicate, shifting hues of blue, the composition depicts a tree in the classical landscape tradition yet partially obscured by a sheer curtain. The enclosed space dislodges the tree from its familiar context, suspended between the public and the private, visibility and concealment, alluding to the erosion of cultural meaning in a modern world. An active participant in the New Wave Movement, with works exhibited in the seminal China/Avant-Garde exhibition in Beijing in 1989, Xu continues to invite the viewer into his quiet pictorial games of perception. Rendered with exquisite restraint, the solitary tree in Empty Word – Tree functions as an empty word imbued with Surrealist sensibilities, which lends the painting a mystery beyond its tranquil facade.

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