MORITA SHIRYU (1912-1998)
MORITA SHIRYU (1912-1998)
MORITA SHIRYU (1912-1998)
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MORITA SHIRYU (1912-1998)

'Nothing' Character

Details
MORITA SHIRYU (1912-1998)
'Nothing' Character
Framed
Ink and polyvinyl acetate medium on paper
Dated 1963
36 ¾ x 24 ¾ in. (93.5 x 62.9 cm.)
Provenance
Shibunkaku Co., Ltd, Kyoto, Japan, 13 October 2021.
Exhibited
New York, Mi Chou Gallery, Shiryū, Sho: Modern Calligraphy by Shiryu Morita, 1963, with label.
Sale room notice
Please note that the catalogue description of the lot’s medium has been amended and should read:

Ink and polyvinyl acetate on paper.
纸本水墨及聚醋酸乙烯颜料,帶框

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Michelle Cheng (鄭玉京)
Michelle Cheng (鄭玉京) Senior Specialist, Head of Private Sales, SVP

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Lot Essay

Morita Shiryu made his name in the post-war Japanese art history by revolutionizing the traditional Eastern art format – calligraphy. He valued the moment of true feelings in the process of creation, and for this reason, his emphasized on the expression of emotions, the movement and rhythm of life. He pushed the boundary between the West and the East, where his almost-abstraction-like artistic language liberated his works from the traditional approach of calligraphy; he also blurred the line between painting and calligraphy, as his works could be seen as both.

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