A JEWELED, ENAMEL, GOLD AND ROCK CRYSTAL STUDY OF A CORNFLOWER
A JEWELED, ENAMEL, GOLD AND ROCK CRYSTAL STUDY OF A CORNFLOWER
A JEWELED, ENAMEL, GOLD AND ROCK CRYSTAL STUDY OF A CORNFLOWER
A JEWELED, ENAMEL, GOLD AND ROCK CRYSTAL STUDY OF A CORNFLOWER
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A Treasured History: The Stream Family Collection
A JEWELED, ENAMEL, GOLD AND ROCK CRYSTAL STUDY OF A CORNFLOWER

BY FABERGÉ, ST. PETERSBURG, CIRCA 1900

Details
A JEWELED, ENAMEL, GOLD AND ROCK CRYSTAL STUDY OF A CORNFLOWER
BY FABERGÉ, ST. PETERSBURG, CIRCA 1900
In a bulbous rock crystal vase, a finely textured gold stem terminating in a flowerhead, the trumpet-shaped petals enameled in translucent royal blue, with rose-cut diamond-set stamens, with two finely-chased gold buds, apparently unmarked; in a fitted Hammer Galleries wooden case
5 3⁄8 in. (13.7 cm.) high
Provenance
By repute, the collection of Emperor Nicholas II (1868-1918) and Empress Alexandra Feodorovna (1872-1918).
Almost certainly sold by the Soviet government to Armand Hammer in the late 1920s / early 1930s.
Acquired by Matilda Geddings Gray (1885-1971) from Hammer Galleries, New York, in the late 1940s / early 1950s.
By descent to Matilda Gray Stream (1924-2023) and descendants.
Literature
Exhibition catalogue, Loan Exhibition of the Art of Peter Carl Fabergé, Imperial Court Jeweler, 1846 – 1920 at the Hammer Galleries, 1951, p. 34, no. 189 (listed).
Exhibited
Hammer Galleries, New York, Loan Exhibition of the Art of Peter Carl Fabergé, Imperial Court Jeweler, 1846 – 1920 at the Hammer Galleries, 28 March – 28 April 1951, no. 189.

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Julia Jones
Julia Jones Head of Sale

Lot Essay

The Hammer Galleries invoice for this cornflower records its provenance as in the collection of Emperor Nicholas II and Alexandra Feodorovna at the Alexander Palace in Tsarskoe Selo. Although this flower does not have a Fabergé scratched inventory number that would confirm the exact provenance, it is very likely that it was acquired by Armand Hammer through sales of the Imperial collections arranged by the Soviet government in the late 1920s to early 1930s.

Several Fabergé cornflower studies are known, including those in the State Hermitage Museum, St. Petersburg (previously in the Yusupov Collection), in the Royal Collection Trust, London, and in the collection of Virginia Museum of Fine Arts, formerly part of Lillian Thomas Pratt collection. Further examples of cornflower studies have appeared at auction in recent years: Sotheby’s, London, 27 November 2012, lot 560, and Christie’s, London, 24 November 2014, lot 215.

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