HARRIET WHITNEY FRISHMUTH (1880-1980)
HARRIET WHITNEY FRISHMUTH (1880-1980)
HARRIET WHITNEY FRISHMUTH (1880-1980)
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HARRIET WHITNEY FRISHMUTH (1880-1980)
7 More
A Treasured History: The Stream Family Collection
HARRIET WHITNEY FRISHMUTH (1880-1980)

Call of the Sea (Bell Fountain)

Details
HARRIET WHITNEY FRISHMUTH (1880-1980)
Call of the Sea (Bell Fountain)
inscribed '©/HARRIET W. FRISHMUTH-1924' and stamped with foundry mark 'GORHAM CO FOUNDERS' (on the base)
bronze with greenish brown patina
45 ¾ in. (116.2 cm.) high
Modeled in 1923
Literature
"Fountains and Gardens," Scribner's, 1927, p. 706i.
"Out-Door Sculpture Exhibit," Community Arts & Crafts, vol. I, no. 4, April 1928, p. 12 (another example illustrated).
Brookgreen Gardens, Sculpture by Harriet Whitney Frishmuth, Murrells Inlet, South Carolina, 1937 (another example illustrated on the cover).
C.N. Aronson, Sculptured Hyacinths, New York, 1973, pp. 137-38 (another example illustrated).
J. Conner, J. Rosenkranz, Rediscoveries in American Sculpture: Studio Works, 1893-1939, Austin, Texas, 1989, p. 41 (another example illustrated).
M. Griswold, E. Weller, The Golden Age of American Gardens, New York, 1991, p. 169.
J. Conner, L.R. Lehmbeck, T. Tolles, F.L. Hohmann III, Captured Motion, The Sculpture of Harriet Whitney Frishmuth: A Catalogue of Works, New York, 2006, pp. 38, 51, 66n41, 76, 83, 84, 170, 246, 262, no. 1923:6 (another example illustrated).
R.R. Salmon, Images of America: Sculpture of Brookgreen Gardens, Charleston, South Carolina, 2009, p. 88 (another example illustrated).

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Lot Essay

Originally conceived as a fountain for her patron James Bell, Frishmuth's Call of the Sea was intended to be displayed at the end of Bell's pool, opposite to Edward McCartan's Young Pan. The artist recalled: "I sort of felt as though she was calling to Pan to come over, come on in. The idea of the whole thing was a feeling of calling, like the ocean has always called to me." (as quoted in Captured Motion, The Sculpture of Harriet Whitney Frishmuth: A Catalogue of Works, New York, 2006, p. 38) Modeled in 1923, a time of critical acclaim for Frishmuth, the present work demonstrates the sense of motion and joy associated with the artist's esteemed body of work.

The present cast is one of an edition of 18 cast by the Gorham Foundry. Another example resides in Brookgreen Gardens in South Carolina.

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