GRANDE POTICHE COUVERTE EN PORCELAINE BLEU BLANC À DÉCOR DU PAVILLON DES ORCHIDÉES
GRANDE POTICHE COUVERTE EN PORCELAINE BLEU BLANC À DÉCOR DU PAVILLON DES ORCHIDÉES
GRANDE POTICHE COUVERTE EN PORCELAINE BLEU BLANC À DÉCOR DU PAVILLON DES ORCHIDÉES
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GRANDE POTICHE COUVERTE EN PORCELAINE BLEU BLANC À DÉCOR DU PAVILLON DES ORCHIDÉES
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Property from a French Private Collection
GRANDE POTICHE COUVERTE EN PORCELAINE BLEU BLANC À DÉCOR DU PAVILLON DES ORCHIDÉES

CHINE, DYNASTIE QING, ÉPOQUE KANGXI (1662-1722)

Details
GRANDE POTICHE COUVERTE EN PORCELAINE BLEU BLANC À DÉCOR DU PAVILLON DES ORCHIDÉES
CHINE, DYNASTIE QING, ÉPOQUE KANGXI (1662-1722)
Hauteur : 84,5 cm. (33 ¼ in.)
Provenance
Previously in the collection of Michel Duchange, thence by descent in the family.
Further details
A LARGE BLUE AND WHITE 'ORCHID PAVILION GATHERING' JAR AND COVER
CHINA, QING DYNASTY, KANGXI PERIOD (1662-1722)

Brought to you by

Tiphaine Nicoul
Tiphaine Nicoul Head of department

Lot Essay

The present jar is a rare large scale example of early Qing blue and white porcelain, notable for both its imposing size and ambitious continuous narrative decoration. Vessels of this scale were technically difficult to produce, as the large body was especially vulnerable to warping or cracking during firing, making successfully preserved examples comparatively rare.
The decoration is executed in a continuous panoramic composition encircling the body, depicting the celebrated Lanting Gathering (Lanting yaji) or “Floating Wine Cups along the Winding Stream,” inspired by the famous gathering of Wang Xizhi and fellow scholars at the Orchid Pavilion in 353 AD. The elegantly robed literati shown amidst rocks, pine trees and flowing streams evoke the cultivated ideals of poetic exchange, retreat and scholarly refinement long associated with this subject in Chinese painting and decorative arts. The inscription Lanting shengji (“The Famous Site of the Orchid Pavilion”) further reinforces the literati character of the composition, reflecting the increasingly painterly and scholarly aesthetic associated with the porcelain production.

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