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Six leaves with scatter borders from a Book of Hours, use of Rome, illuminated manuscript on vellum [Southern Netherlands, Bruges?, mid-15th century; and Ghent?, late 15th or early 16th century]
Details
Workshop of the Master of the Older Prayerbook of Maximilian
Six leaves with scatter borders from a Book of Hours, use of Rome, illuminated manuscript on vellum [Southern Netherlands, Bruges?, mid-15th century; and Ghent?, late 15th or early 16th century]
Naturalistic birds, flowers, insects and animals: the epitome of southern Netherlandish border illumination. Six leaves illuminated in the workshop of the Master of the Older Prayerbook of Maximilian, from the von Lanna-Busch Book of Hours.
Six text leaves, c.210 x 150mm, 17 lines of text in fine gothic textura script, ruled space: 120 x 75mm, capitals touched in yellow, comprising: (i) the opening of the Gospel Sequence from Luke, modern foliation 17, 6-line initial in pink and white within a full scatter border including caterpillars, snails, butterflies and birds; (ii) the opening of the Gospel Sequence from Matthew, modern foliation 19, 6-line initial in pink and white within a similar full scatter border; (iii) the opening of the Friday Hours of the Cross, modern foliation 121, 5-line initial in red and gold, 7 illuminated initials and line-fillers, full border containing the words 'AVE · MARIA · G/RACIA · PLENA · DOM[INUS] · TECOM · B'; (iv) the opening of the Suffrage to St John the Baptist, modern foliation 189, 5-line initial in brown and gold, one illuminated initial and line-filler, within a full scatter border including snails, caterpillars, birds, a peacock, naturalistic strawberries, roses, etc.; (v) the opening of the Suffrage to St George, modern foliation 200, 6-line initial in brown and gold, one illuminated initial and line filler, within a similar full scatter border; (vi) the opening of the Suffrage to St Nicholas, 5-line initial in pink, one illuminated initial and line-filler, within a full border strewn with three strings of flower buds and inhabited with caterpillars, butterflies and birds.
Provenance:
(1) From a Flemish manuscript probably written in Bruges, to judge by the presence of Sts Basil and Donatian (as well as Bavo of Ghent) in gold in the calendar of the parent manuscript. The volume was described in 1911 and 1921 as having 224 or 225 leaves (including 23 leaves added at the end with 16th-century prayers in Flemish), of which 48 pages had full borders and 12 more had partial borders; the calendar borders incorporating twelve pairs of miniatures depicting Occupations of the Month and the Signs of the Zodiac. From the two plates in the 1921 catalogue it is evident that the manuscript was written and partially illuminated in the mid-15th century, while borders and large initials were added about sixty years later, perhaps in the Ghent workshop of the Master of the Older Prayerbook of Maximilian. It is likely that full-page miniatures on single leaves were also inserted at the same time, but if so, they were removed by 1911. Three more leaves are at the Johnson Museum of Art, Cornell University (Ithaca, NY), including the first leaf of the Hours of the Dead for Mondays, and the Hours of the Spirit for Tuesdays is reproduced as Sotheby's, 6 December 1988, lot 7.
(2) Adalbert Freiherr von Lanna (1836-1909) of Prague: his sale by Gilhofer & Ranschberg, Vienna, 3–4 April 1911, lot 4; presumably bought by:
(3) Rudolf Busch (1876–1956) of Mainz, art collector, art historian, and museum director: his sale by Baer, Frankfurt, 4 May 1921, lot 272.
(4) Sold as ‘The Property of a Gentleman’ (an art connoisseur, real estate broker, philanthropist, and one of the 'Monuments Men' at the end of WWII), at Christie’s, New York, 21 October 1977, lot 103 (col. ill.); bought for $16,000 for H.P. Kraus and broken up.
(5) Leaves (i)-(v) were in the collection of Neil F. Phillips (no 621), acquired by the present owners at Sotheby's, 2 December 1997, lot 81; leaf (v) was acquired on 6 July 2010, lot 22.
Illumination:
The engaging borders are attributable to the workshop of the Master of the Older Prayerbook of Maximilian, named after the manuscript made for the Emperor Maximilian, Vienna ÖNB cod. 1907. The Master was one of the leading figures in the so-called Ghent-Bruges School of illumination, collaborating with Gerard Horenbout and Simon Bening as well as the anonymous Master of the Prayerbooks of c. 1500 and exerting such a formative influence on Simon Bening that he is plausibly identified as Simon's father, Alexander Bening.
Six leaves with scatter borders from a Book of Hours, use of Rome, illuminated manuscript on vellum [Southern Netherlands, Bruges?, mid-15th century; and Ghent?, late 15th or early 16th century]
Naturalistic birds, flowers, insects and animals: the epitome of southern Netherlandish border illumination. Six leaves illuminated in the workshop of the Master of the Older Prayerbook of Maximilian, from the von Lanna-Busch Book of Hours.
Six text leaves, c.210 x 150mm, 17 lines of text in fine gothic textura script, ruled space: 120 x 75mm, capitals touched in yellow, comprising: (i) the opening of the Gospel Sequence from Luke, modern foliation 17, 6-line initial in pink and white within a full scatter border including caterpillars, snails, butterflies and birds; (ii) the opening of the Gospel Sequence from Matthew, modern foliation 19, 6-line initial in pink and white within a similar full scatter border; (iii) the opening of the Friday Hours of the Cross, modern foliation 121, 5-line initial in red and gold, 7 illuminated initials and line-fillers, full border containing the words 'AVE · MARIA · G/RACIA · PLENA · DOM[INUS] · TECOM · B'; (iv) the opening of the Suffrage to St John the Baptist, modern foliation 189, 5-line initial in brown and gold, one illuminated initial and line-filler, within a full scatter border including snails, caterpillars, birds, a peacock, naturalistic strawberries, roses, etc.; (v) the opening of the Suffrage to St George, modern foliation 200, 6-line initial in brown and gold, one illuminated initial and line filler, within a similar full scatter border; (vi) the opening of the Suffrage to St Nicholas, 5-line initial in pink, one illuminated initial and line-filler, within a full border strewn with three strings of flower buds and inhabited with caterpillars, butterflies and birds.
Provenance:
(1) From a Flemish manuscript probably written in Bruges, to judge by the presence of Sts Basil and Donatian (as well as Bavo of Ghent) in gold in the calendar of the parent manuscript. The volume was described in 1911 and 1921 as having 224 or 225 leaves (including 23 leaves added at the end with 16th-century prayers in Flemish), of which 48 pages had full borders and 12 more had partial borders; the calendar borders incorporating twelve pairs of miniatures depicting Occupations of the Month and the Signs of the Zodiac. From the two plates in the 1921 catalogue it is evident that the manuscript was written and partially illuminated in the mid-15th century, while borders and large initials were added about sixty years later, perhaps in the Ghent workshop of the Master of the Older Prayerbook of Maximilian. It is likely that full-page miniatures on single leaves were also inserted at the same time, but if so, they were removed by 1911. Three more leaves are at the Johnson Museum of Art, Cornell University (Ithaca, NY), including the first leaf of the Hours of the Dead for Mondays, and the Hours of the Spirit for Tuesdays is reproduced as Sotheby's, 6 December 1988, lot 7.
(2) Adalbert Freiherr von Lanna (1836-1909) of Prague: his sale by Gilhofer & Ranschberg, Vienna, 3–4 April 1911, lot 4; presumably bought by:
(3) Rudolf Busch (1876–1956) of Mainz, art collector, art historian, and museum director: his sale by Baer, Frankfurt, 4 May 1921, lot 272.
(4) Sold as ‘The Property of a Gentleman’ (an art connoisseur, real estate broker, philanthropist, and one of the 'Monuments Men' at the end of WWII), at Christie’s, New York, 21 October 1977, lot 103 (col. ill.); bought for $16,000 for H.P. Kraus and broken up.
(5) Leaves (i)-(v) were in the collection of Neil F. Phillips (no 621), acquired by the present owners at Sotheby's, 2 December 1997, lot 81; leaf (v) was acquired on 6 July 2010, lot 22.
Illumination:
The engaging borders are attributable to the workshop of the Master of the Older Prayerbook of Maximilian, named after the manuscript made for the Emperor Maximilian, Vienna ÖNB cod. 1907. The Master was one of the leading figures in the so-called Ghent-Bruges School of illumination, collaborating with Gerard Horenbout and Simon Bening as well as the anonymous Master of the Prayerbooks of c. 1500 and exerting such a formative influence on Simon Bening that he is plausibly identified as Simon's father, Alexander Bening.
Brought to you by
Eugenio Donadoni
Senior Specialist, Medieval & Renaissance Manuscripts