Lot Essay
The current bowl is a rare example of a well-known group of bowls decorated with colorful flowers on a coral-ground which were made in the early Yongzheng reign. The design, composition and palette are based on Kangxi-period prototypes, such as an example bearing a Kangxi yuzhi mark in the Shanghai Museum, illustrated in Kangxi Porcelain Wares from the Shanghai Museum Collection, Hong Kong, 1998, no.95 and by H. Moss in By Imperial Command: An Introduction to Ch'ing Imperial Painted Enamels, Hong Kong, 1976, p. 82, where Moss suggests that bowls of this type were most probably made at Jingdezhen within the first two years of the Yongzheng reign, when potters were not yet familiar with the famille rose palette which only emerged during the late Kangxi period based on falangcai enamels used within the palace workshops in Beijing.
A smaller Yongzheng-marked bowl of this design (11 cm. diam.) is illustrated in The Tsui Museum of Art, Chinese Ceramics IV: Qing Dynasty, Hong Kong, 1995 pl. 159. Other examples include a slightly larger bowl (14.8 cm. diam.) from the Meiyintang Collection, sold at Sotheby’s Hong Kong, 3 April 2012, lot 49, and one from the Au Bak Ling Collection sold at Christie’s Hong Kong, 30 October 2025, lot 951.
A smaller Yongzheng-marked bowl of this design (11 cm. diam.) is illustrated in The Tsui Museum of Art, Chinese Ceramics IV: Qing Dynasty, Hong Kong, 1995 pl. 159. Other examples include a slightly larger bowl (14.8 cm. diam.) from the Meiyintang Collection, sold at Sotheby’s Hong Kong, 3 April 2012, lot 49, and one from the Au Bak Ling Collection sold at Christie’s Hong Kong, 30 October 2025, lot 951.
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